There were two lines of what looked like poetry, written in a language which Merlin did not understand. English, no doubt.

But what was perfectly clear, and easily comprehended by any one, was the little drawing in the corner, done in red ink and representing a small star-shaped flower.

Then Tinville and Merlin both cursed loudly and volubly, and bidding their men follow them, turned away from the house in the Rue de l'Ancienne Comedie and left its toothless landlady on her own doorstep still volubly protesting her patriotism and her desire to serve the government of the Republic.

Tinville and Merlin, however, took the scrap of paper to Citizen Robespierre, who smiled grimly as he in his turn crushed the offensive little document in the palm of his well-washed hands.

Robespierre did not swear. He never wasted either words or oaths, but he slipped the bit of paper inside the double lid of his silver snuff box and then he sent a special messenger to Citizen Chauvelin in the Rue Corneille, bidding him come that same evening after ten o'clock to room No. 16 in the ci-devant Palace of the Tuileries.

It was now half-past ten, and Chauvelin and Robespierre sat opposite one another in the ex-boudoir of Queen Marie Antoinette, and between them on the table, just below the tallow-candle, was a much creased, exceedingly grimy bit of paper.

It had passed through several unclean hands before Citizen Robespierre's immaculately white fingers had smoothed it out and placed it before the eyes of ex-Ambassador Chauvelin.

The latter, however, was not looking at the paper, he was not even looking at the pale, cruel face before him. He had closed his eyes and for a moment had lost sight of the small dark room, of Robespierre's ruthless gaze, of the mud-stained walls and greasy floor. He was seeing, as in a bright and sudden vision, the brilliantly-lighted salons of the Foreign Office in London, with beautiful Marguerite Blakeney gliding queenlike on the arm of the Prince of Wales.

He heard the flutter of many fans, the frou-frou of silk dresses, and above all the din and sound of dance music, he heard an inane laugh and an affected voice repeating the doggerel rhyme that was even now written on that dirty piece of paper which Robespierre had placed before him:

“We seek him here, and we seek him there,
Those Frenchies seek him everywhere!
Is he in heaven, is he in hell,
That demmed elusive Pimpernel?”