"I am lost, Theresia!" he moaned pitiably. "Hide me, for God's sake I . . . only for to-night!"
Theresia Cabarrus was frowning now, looked more perplexed than kindly, and certainly made no attempt to raise the crouching figure from the ground. Anon she called loudly: "Pepita!" and whilst waiting for an answer to this call, she remained quite still, and the frown of puzzlement on her face yielded to one of fear. The young man, obviously only half conscious, continued to moan and to implore.
"Silence, you fool!" she said peremptorily. "The door is still open. Any one on the stairs could hear you. Pepita!" she called again, more harshly this time.
The next moment an old woman came from somewhere out of the darkness, threw up her hands at sight of that grovelling figure on the floor, and would no doubt have broken out in loud lament but that her young mistress ordered her at once to close the door.
"Then help the citoyen Moncrif to a sofa in my room," the beautiful Theresia went on peremptorily. "Give him a restorative and see above all to it that he hold his tongue!"
With a quick imperious jerk she freed herself from the convulsive grasp of the young man, and walking quickly across the small vestibule, she went through a door at the end of it that had been left ajar, leaving the unfortunate Moncrif to the ministrations of Pepita.
§3
Theresia Cabarrus, who had obtained a divorce from her husband, the Marquis de Fontenay (by virtue of a decree of the former Legislative Assembly, which allowed—nay, encouraged—the dissolution of a marriage with an émigré who refused to return to France), Theresia Cabarrus was, in this year 1794, in her twenty-fourth year, and perhaps in the zenith of her beauty and in the plenitude of that power which had subjugated so many men. In what that power consisted the historian has vainly tried to guess; for it was not her beauty only that brought so many to her feet. In the small oval face, the pointed chin, the full, sensuous lips, so typically Spanish, we look in vain for traces of that beauty which we are told surpassed that of other women of her time; whilst in the dark, velvety eyes, more tender than spiritual, and in the narrow arched brows, we fail to find an expression of that esprit which had moulded Tallien to her will and even brought Robespierre out of the shell of his asceticism—a willing victim to her wiles.
But who would be bold enough to analyse that subtle quality, acknowledged by all, possessed by a very few, which is vaguely denoted by the word "charm"? Theresia Cabarrus must have possessed it to a marvellous degree—that, and an utter callousness for the feelings of her victims, which would leave her mind cool and keen to pursue her own ends, whilst theirs was thrown into that maze of jealousy and of passion wherein prudence flies to the winds and the fever of self-immolation gets into the blood.
At this moment, in the sparsely furnished room of her dingy apartment, she looked like an angry goddess. Her figure, which undeniably was superb, was drawn to its full height, its splendid proportions accentuated by the clinging folds of her modish gown—a marvel of artistic scantiness, which only half concealed the perfectly modelled bust, and left the rounded thigh, in its skin-tight, flesh-coloured undergarment, unblushingly exposed. Her blue-black hair was dressed in the new fashion, copied from ancient Greece and snooded by a glittering antique fillet; and her small bare feet were encased in satin sandals. Truly a lovely woman, but for that air of cold displeasure coupled with fear, which marred the harmony of the dainty, child-like features.