There were the Phrygians with fair curly hair and delicate hands skilled in the limner's art; the Numidians with skins of ebony and keen black eyes that shone like dusky rubies; they were agile at the chase, could capture a lion or trap the wild beasts that are so useful in gladiatorial games. There were Greeks here, pale of face and gentle of manner who could strike the chords of a lyre and sing to its accompaniment, and there were swarthy Spaniards who fashioned breast-plates of steel and fine chain mail to resist the assassin's dagger: there were Gauls with long lithe limbs and brown hair tied in a knot high above the forehead, and Allemanni from the Rhine with two-coloured hair heavy and crisp like a lion's mane. There was a musician from Memphis whose touch upon the sistrum would call a dying spirit back to the land of the living, and a cook from Judæa who could stew a peacock's tongue so that it melted like nectar in the mouth: there was a white-skinned Iceni from Britain, versed in the art of healing, and a negress from Numidia who had killed a raging lion by one hit on the jaw from her powerful fist.
Then there were those freshly brought to Rome from overseas, whose merits or demerits had not yet been appraised—they wore no tablet round the neck, but their feet were whitened all over with chalk; and there were those whose heads were surmounted by an ugly felt hat in token that the State treasury tendered no guarantee for them. Their period of servitude had been so short that nothing was known about them, about their health, their skill, or their condition.
Above them towered the gigantic rostrum with tier upon tier of massive blocks of marble, and in the centre, up aloft, the bronze figure of the wolf—the foster-mother of the great city—with metal jaws distended and polished teeth that gleamed like emeralds in the sun.
And all around the stately temples of the Forum, with their rich carvings and colonnades and walls in tones of delicate creamy white, scarce less brilliant than the clouds which a gentle morning breeze was chasing westwards to the sea. And under the arcades of the temples cool shadows, dense and blue, trenchant against the white marble like an irregular mosaic of lapis lazuli, with figures gliding along between the tall columns, priests in white robes, furtive of gait, slaves of the pontificate, shoeless and silent and as if detached from the noise and bustle of the Forum, like ghosts that haunt the precincts of graves.
Throughout all this the gorgeous colouring that a summer's mid-morning throws over imperial Rome. Above, that canopy of translucent blue, iridescent and scintillating with a thousand colours, flicks of emerald and crimson, of rose and of mauve that merge and dance together, divide and reunite before the retina, until the gaze loses consciousness of all colour save one all-pervading sense of gold.
In the distance the Capitol, temple-crowned, rearing its deified summit upwards to the dome of heaven above, holding on its triple shoulders a throng of metal gods, with Jupiter Victor right in the centre, a thunderbolt in his hand which throws back ten thousand reflections of dazzling light—another sun engendered by the sun. And to the west the Aventine wrapped in its mantle of dull brown, its smooth incline barren and scorched, and with tiny mud-huts dotted about like sleepy eyes that close beneath the glare.
And far away beyond the Aventine, beyond the temples and palaces, the blue ribbon of the Tiber flowing lazily to the sea: there where a rose-coloured haze hung in mid-air, hiding with filmy, transparent veil the vast Campania beyond, its fever-haunted marshes and its reed-covered fastnesses.
The whole, a magnificent medley of cream and gold and azure, and deep impenetrable shadows trenchant as a thunder cloud upon an horizon of gold, and the moving crowd below, ivory and bronze and black, with here and there the brilliant note of a snow-white robe or of crimson head-band gleaming through dark locks.