An old man was standing in the doorway, with a tattered red curtain behind him, supplying further details of the history and personal appearance of the mermaid. He looked slightly military, distinctly intemperate, and very unfortunate, yet he was energetic.
“What it comes to is this—for a few days only I am offering two ’igh-class entertainments at the price of one. The performance commences with an exhibition by that most marvellous Spanish conjurer, Madumarsell Rimbini, and concludes with that unparalleled wonder of the world, the mermaid of the Western Pasuffolk. I have been asked frequent if it pays me to do this. No, it does not pay me. I am doing it entirely as an advertisement. Kindly take notice that this mermaid is not a shadder, faked up with lookin’ glasses. She is real—solid—genuine—discovered by an English officer while cruisin’ in the Western Pasuffolk, and purchased direct from ’im by myself. The performance will commence in one minute. If any gentleman is not able to stay now, I may remark that the performances will be repeated agin this evenin’ from seven to ten. What it comes to is this—for a few days only, etc.”
Of course Bill had seen shows of a kind before. He had seen a ’bus horse stumble, and almost pick itself up, and stumble again, and finally go down half on the kerb-stone. That had been attractive, but there had been nothing to pay for it. Again, in his Sunday-school days, he had been present at an entertainment where the exhilaration of solid buns and dissolving views had been gently tempered by a short address. That too was attractive, but it had been free. And now it would not be possible to see this beautiful buoyant creature swimming in clear shrimp-haunted waters unless he paid a penny for it, the only penny that he possessed. Never before had he paid anything to go anywhere. The temptation was masterful. It gripped him, and drew him towards the tattered red curtain that hung over the entrance. In another minute he had paid his penny, and stood within.
At one end of the shop a low stage had been erected. On the stage was something which looked like a large packing-case with a piece of red baize thrown over it. There was a small table, on which were two packs of playing-cards and a brightly coloured pill-box, and a tired fat woman in a low dress of peculiar frowziness. As the audience entered she put a smile on her face, where it remained fixed as if it had been pinned. The performance commenced with three clumsy card-tricks. Then she requested some one in the audience to put a halfpenny in the painted pill-box and see it changed into a shilling. The audience felt that they had been weak in paying a penny to see the show, and on this last point they were adamant. They would put no halfpennies in no pill-boxes. They were now firm. So also was the Spanish conjurer, and this trick was omitted. She intimated that she would now proceed to the second part of the entertainment, the exhibition of the mermaid of the Western Pacific. She removed, dramatically, the red-baize cover, disclosing a glass case. The audience pressed forward to examine its contents. The case was filled for the most part with those romantic rocks and grasses which conventionality has appointed to be a suitable setting for stuffed canaries, or stuffed dogs, or anything that is stuffed. There was a background of painted sky and sea; and in the front there was a small, most horrible figure, looking straight at Bill out of hideous, green, glassy eyes. It was not the lovely creature depicted in the window outside. It was a monstrous thing, a contemptible fraud to the practised intelligence, but to Bill’s childish, excitable mind a thing of unspeakable horror and fascination. The lower half was a wilted, withered fish; then came a girdle of seaweed, and then something which was near to being human, yellow and waxy, with a ghastly face, a bald head, and those eyes that would keep looking at Bill. He shut his own eyes for a second; when he opened them again the monstrous thing was still looking at him.
There were two men standing near to Bill. One of them was a very young and very satirical carpenter, with a foot-rule sticking out of his coat-pocket. “So that’s a mermaid!” he remarked. “Yer call that a mermaid—oh!—indeed, a mermaid—oh, yes!”
“Seems to me,” said the other man, middle-aged, cadaverous, and dressed in rusty black, “that it’s a sight more like a dead byeby.”
“Well, you ought to know,” replied the satirical carpenter, grinning.
Bill heard this. So in that basement flat in Pond Buildings, Bill’s home, there was something lying quite still and waiting for him, to frighten him. He had never thought what a dead baby would be like. His mind began to work in flashes. The first flash reminded him of some horrible stories which his red-haired, vehement aunt had told him, to terrify him into being good. He had objected at the close of one story that dead people could not walk about.
“You don’t know,” his aunt had replied, “nobody knows, what dead people can do.” In the second flash he imagined that he had gone home, had been lectured by his aunt, and beaten by his father, and had cried himself to sleep. He would wake up at night, when all was quiet—he felt sure of it—and the room would not be quite dark. He would see by the white moonlight a horrible, yellow, waxy thing crawling across the floor. It would not go to the right or to the left, but straight towards him. It would be his dead baby sister, and it would have a face like the face of the mermaid, and it would stare at him. He would be unable to call out. It would come nearer and nearer, and at last it would touch him. Then he would die of fright.
No, he would not go home, not until the dead baby had been taken away.