Not that I hadn’t found a bitter pleasure in the life! I had. I found it still. In one of Dostoyevsky’s novels an old rake talks of the joys of being in the gutter. Well, there are such joys. They are not joys that civilization knows or that aspiration would find legitimate; but one reaches a point at which it is a satisfaction to be oneself at one’s worst. Where all the pretenses with which poor human nature covers itself up are cast aside the soul can stalk forth nakedly, hideously, and be unashamed. In the presence of each other we were always unashamed. We could kick over all standards, we could drop all poses, we could flout all duties, we could own to all crimes, and be “fellas together.” As I went lower and lower down it became to me a kind of acrid delight, of positively intellectual delight, to know that I was herding with the most degraded, and that there was no baseness or bestiality to which I was not at liberty to submit myself.

If there had never been any reactions from this state of mind!—but God!

It was a disadvantage to me that I was not like my cronies. I couldn’t open my lips without betraying the fact that I belonged to another sphere. Though the broken-down man of education is not unknown in the underworld, he is comparatively rare. He is comparatively rare and under suspicion, like a white swan in a flock of black ones. I might be open-handed, ingratiating, and absurdly fellow-well-met, but I was always an outsider. They would take my drinks, they would return me drinks, we would swap stories and experiences with all outward show of equality; but no one knew better than myself that I was not on a footing with the rest of them. Women took to me readily enough, but men were always on their guard. Try as I would I never found a mate among them, I never made a friend. Therefore, now that I was down and out, I had no one of whom to ask a good turn, no one who would have done me a good turn, but poor, useless old Lovey sneaking in the shade.

I was in a measure between two worlds. I had been ejected from one without having forced a way into the other. When I say ejected I mean the word. The bitterest moment in my life was on that night when my eldest brother came to his door in Montreal and gave me fifty dollars, with the words:

“And now get out! Don’t let any of us ever see your face or hear your name again.”

As I stumbled down the steps he gave me a kick that didn’t reach me and which I had lost the right to resent. He himself went back to the dinner-party his wife was entertaining inside, and of which the talk and laughter reached me as I stood humbly on the door-step. From the other side of the street I looked back at the lighted windows. It was the last touch of connection with my family.

But it had been a kindly, patient family. My father was one of the best known and most highly honored among Canadian public men. As he had married an American, I had a good many cousins in New York, though I had not made myself known to any of them since coming there to live. I didn’t want them. Had I met one of them in the street, I should have passed without speaking; but, as it happened, I never met one. I saw their names in the papers, and that was all.

My father and mother had had five children, of whom I was the fourth. My two brothers were married, prosperous and respected—one a lawyer in Montreal, the other a banker in Toronto. My elder sister was married to a colonel in the British army; the younger one—the only member of the family younger than myself—still lived at home.

We three sons were all graduates of McGill, in addition to which I had been sent to the Beaux Arts in Paris. Out of that I had come with some degree of credit; and there had been a year in which I was in sight—oh, very distant sight!—of the beginning of the fulfilment of my childhood’s ambition to revolutionize the art of architecture in Canada. But in the second year that vision went out; and in the third came the night on my brother Jerry’s door-step.