Rolling down Fifth Avenue Letty was as much at a loss to account for herself as Elijah must have been in the chariot of fire. She didn’t know where she was going. She was not even able to ask. The succession of wonders within twenty-four hours blocked the working of her faculties. She thought of the girls who sneered at her in the studios—she thought of Judson Flack—and of what they would say if they were to catch a glimpse of her.
She was not so unsophisticated as to be without some appreciation of the quarter of New York in which she found herself. She knew it was the “swell” quarter. She knew that the world’s symbols of money and display were concentrated here, and that in some queer way she, poor waif, had been given a command of them. One day homeless, friendless, and penniless, and the next driving down Fifth Avenue in a limousine which might be called her own!
The motor was slowing down. It was drawing to the curb. They had reached the place to which Steptoe had directed Eugene. Letty didn’t have to look at the name-plate to know she was where the great stars got their gowns, and that she was being invited into Margot’s!
You know Margot’s, of course. A great international house, Margot—the secret is an open one—is but the incognita of a business-like English countess who finds it financially profitable to sign articles on costume written by someone else, and be sponsor for the newest fashions which someone else designs. As a way of turning an impoverished historic title to account it is as good as any other.
Without knowing who Margot was Letty knew what she was. She couldn’t have frequented studios without hearing that much, and once or twice in her wanderings about the city she had paused to admire the door. It was all there was to admire, since Margot, to Letty’s regret, didn’t display confections behind plate-glass.
It was a Flemish château which had been a residence before business had traveled above Forty-second Street. A man in livery would have barred them from passing the wrought-iron grille had it not been for the car from which they had emerged. Only people worthy of being customers of the house could afford such cars, and he saw that Steptoe was a servant. What Letty was he couldn’t see, for servants of great houses never looked so nondescript.
In the great hall a beautiful staircase swept to an upper floor, but apart from a Louis Seize mirror and console flanked by two Louis Seize chairs there was nothing and no one to be seen. Steptoe turned to the right into a vast saloon with a cinnamon-colored carpet and walls of cool French gray. A group of gilded chairs were the only furnishings, except for a gilded canapé between two French windows draped with cinnamon-colored hangings. A French fender with French andirons filled the fireplace, and on the white marble mantelpiece stood a garniture de cheminée, a clock and two vases, in biscuit de Sèvres.
At the end of the room opposite the windows a woman in black, with coiffure à la Marcel, sat at a white-enamelled desk working with a ledger. A second woman in black, also with coiffure à la Marcel, 116 stood holding open the doors of a white-enamelled wardrobe, gazing at its multi-colored contents. Two other women in black, still with coiffure à la Marcel, were bending over a white-enamelled drawer in a series of white-enamelled drawers, discussing in low tones. There were no customers. For such a house the season had not yet begun. Though in this saloon voices were pitched as low as for conversation in a church, the sharp catgut calls of Frenchwomen—and of French dressmakers especially—came from a room beyond.
Overawed by this vastness, simplicity, and solemnity, Steptoe and Letty stood barely within the door, waiting till someone noticed them. No one did so till the woman holding open the wardrobe doors closed them and turned round. She did not come forward at once; she only stared at them. Still keeping her eye on the newcomers she called the attention of the ladies occupied with the drawer, who lifted themselves up. They too stared. The lady at the desk stared also.