"Oh, I do hope you'll say that if they speak to you about him."
"I will if I ever get the chance, but...."
"Oh, you must get the chance. I'll make it. You see, you're the only boy Guy's ever taken a fancy to who didn't treat him as a joke."
Tom assured her that her brother was not the only fellow who had a hard fight to put up during boyhood. He had seen them by the dozen who, just because of some trifling oddity, or unusual taste, were teased, worried, tormented, till school became a hell; but that didn't keep them from turning out in the end to be the best sports among them all. Very likely the guying did them good. He thought it might. He, Tom Whitelaw, had been through a lot of it, and now that he was sixteen he wasn't sorry for himself a bit. He used to be sorry for himself, but....
Seeing her for the second time, and in daylight, her features grew more distinct to him. He mused on them while continuing his way homeward. To say she was not pretty, as he had said the other night, was to use a form of words calling for amplification. It was the first time he had had occasion to observe that there are faces to which beauty is not important.
"It's the way she looks at you," was his form of summing up; and yet for the way she looked at you he had no sufficient phraseology.
That her eyes were long, narrow, and yellow-brown, ever so slightly Mongolian, he could see easily enough. That her nose was short, with a little tilt to it, was also a fact he had no difficulty in stating. As for her coloring, it was like that of a russet apple when the brown has a little gold in it and the red the brightness of carmine. Her hair was saved from being ugly by running to the quaint. Straight, black—black with a bluish gloss—it was worn not in the pigtail with which he was most familiar, but in two big plaits curved behind the ears, and secured he didn't know how. She reminded him of a colored picture he had seen of a Cambodian girl, a resemblance enhanced by the dark blue dress she wore, straight and formless down the length of her immature, boylike figure, and marked at the waistline by a circle of gold braid.
But all these details were subordinate to something he had no power of defining. It was also something of which he was jealous as an injustice to Maisie Danker. If this girl had what poor Maisie had not it was because money gave her an advantage. It was the kind of advantage that wasn't fair. Because it wasn't fair, he felt it a challenge to his loyalty.
Nevertheless, he could not accept Maisie's offhand judgments when between five and six that afternoon he told her of the incident.
This was at The Cherry Tree, one of those bowers of refreshment and dancing recently opened on their own slope of Beacon Hill. Bower was the word. What had once been the basement-kitchen and coal cellar of a small brick dwelling had been artfully converted into a long oval orchard of cherry trees, in paper luxuriance of foliage and blossom. Within the boskage, and under Chinese lanterns, there were tables; out in the open was a center oval cleared for dancing. Somewhere out of sight a cracked fiddle and a flat piano rasped out the tango or some shred of "rag." With the briefest intervals for breath, this performance was continuous. The guests, who at that hour in the afternoon numbered no more than ten or twelve, forsook their refreshments to take the floor, or forsook the floor to return to their refreshments, just as the impulse moved them. They were chiefly working girls, young men at leisure because out of jobs, or sailors on shore. Except for an occasional hoarse or screechy laugh, the decorum was proper to solemnity.