A smack on the cheek brought the color to his face, and the tears to his eyes. "No, I won't, mudda. I won't say you stole me, or that my name is—" oddly enough he had caught it—"or that my name is Whitelaw. My name is Tom Coburn, and I'm your little boy."

Rushing at her in the big outpouring of his love, he threw his arms about her and cried against her waist. He cried so seldom that his grief drove her to one of her paroxysms of repentance. Her self-reproaches abating, all she could do to comfort him was to promise him a book, and begin to teach him to read.

The book was procured two days later, and by a method new to him. Doubtless some other means could have been adopted, but the necessity for sparing pennies had become imperative. Moreover, she had never willingly looked at print since the day when she opened a paper to find that, without knowing who she was, all the forces of the country had been organized against her.

They went out together. After traversing a series of streets he had never been in before they stopped in front of a little shop, in the window of which stationery, ink, wallpaper, rubber bands, and books were arranged in artistic confusion. The impression on the fancy of a little boy already groping toward the treasures of the mind was like that made on the tourist in Dresden by the heaped up riches of the Grüne Gewölbe.

The geography of the shop was explained to him before entering. The stationery counter was on the right as soon as you passed the door. The children's books were opposite, on the left. Books forming a cheap circulating library were back of that, and opposite these, where the shop was dark, were the wallpapers, in small, tight rolls on shelves. She was going to inspect wallpapers. The woman in the shop would exhibit them. He would remain alone in the front part of the shop, and close to the counter with the children's books. He was to keep alert and attentive, waiting for a sign which she would give him. When she turned round in the dark part of the shop, and called out, "Are you all right, darling?" he was to understand it as permissible to slip from the counter any small work on which he could lay his hands, and button it up inside his overcoat. He was to do it quickly, keeping his booty out of sight, and above all saying nothing about it. The plan was exciting, with a savor of adventure and manly incentive to skill.

If in the Grüne Gewölbe you were told you could take anything you pleased you would have some of Tom Coburn's sense of enchantment as he stood by the book counter, waiting for the sign. He could see his mother dimly. More dimly still he could follow the movements of the shop-woman eager for a sale. Sample after sample, the wallpapers were unrolled, and hung on an easel where their flowers lighted the obscurity. Even at a distance he could do justice to their beauty, but more captivating than their glories were the wonders at his hand. Pages in which children and animals disported in colors far beyond those of nature were piled in neat little rows, and so tempting that he ached for the signal. He couldn't choose; there was too much to choose from. He would put out his hand without looking, guided by fate.

"Are you all right, darling?"

Curiously to the little boy, the question came just when he himself could perceive that the shop-woman had dived beneath the counter for another example of her wares. All the conditions were propitious. No one was entering the shop; no one was looking through the window. Without knowing the moralities of his act, he understood the need for secrecy. He stretched forth his arm. His fingers touched paper. In the fraction of a fraction of a second the object was within his overcoat, and pressed to his pounding heart.

A few minutes later his mother came smiling and chatting down toward the exit, giving her address, which the shop-woman jotted in a notebook. "I think it will have to be the pale-green background with the roses. The room is darkish, and it would light it up. But I'll decide by to-morrow, and let you know. Yes, that's right. Mrs. F.H. Grover, 321 Blaisdel Avenue. So much obliged to you. Good morning."

Having bowed themselves out they went some yards up the street before the little boy dared to express his new wonderment.