The fortnight which had intervened between that conversation and the morning when our little boy's story opens had given time for Miss Messenger's affairs to take another turn. In the hope of learning the details of this turn Miss Nash sought a corner of the Park, not much frequented by nursemaids, where she and Miss Messenger often met, but Etta was not there. Drawing the carriage within the shade of a miniature grove of lilacs in perfumed flower, Miss Nash once more lifted the veil, wiped the precious mouth, and adjusted the coverlet outside which lay the mittened baby hands. Since there was no more to be done, she sat down on a convenient bench to her reading of Juliet Allingham's Sin.
In the scene where the lover drowns she became so absorbed as not to notice that on a bench on the other side of a lilac bush Miss Messenger came and installed herself and her baby carriage in the shade of a near-by fan-shaped elm, bronze-green in its young leafage. Miss Nash looked up only when, her emotions having grown so poignant, she could read no more. She was drying her eyes when, through the branches of the lilac, the flutter of a nurse's cape told her that her friend must have arrived.
"Why, Etta!"
On going round the barrier she found herself greeted by what she had come to call Etta's fighting eyes. They were fine flashing black eyes, set in a face which Miss Nash was further accustomed to describe as "high-complexioned." Miss Messenger spoke listlessly, and yet as one who knew her mind.
"I saw you. I thought I wouldn't interrupt. I haven't very good news."
Miss Nash glided to a seat beside her friend, seizing both her hands. "Oh, my dear, he hasn't——?"
"That's just what he has." Etta nodded, drily. "Bring your baby round here and I'll tell you."
But Miss Nash couldn't wait. "He's all right there. He's sound asleep. I'll hear him if he stirs. Do tell me what's happened."