"He might like you to do it. After all, he's a connection."
Not caring to continue the subject, Diane murmured something about feeling cold, and rose for a little exercise. Having advanced as far forward as she could go, she turned her back upon her fellow-passengers, stretched in mute misery in their chairs or huddled in cheerful groups behind sheltering projections, and stood watching the dip and rise of the steamer's bow as it drove onward into the mist. Whither was she going, and to what? With a desperate sense of her ignorance and impotence, she strained her eyes into the white, dimly translucent bank, from which stray drops repeatedly lashed her face, as though its vaporous wall alone stood between her and the knowledge of her future.
If she could have seen beyond the fog and carried her vision over the intervening leagues of ocean, so as to look into a large, old-fashioned New York house in Gramercy Park, she would have found Derek Pruyn and Lucilla van Tromp discussing one of the cardinal points on which that future was to turn.
That it was not an amusing conversation would have been clear from the agitation of Derek's manner as he strode up and down the room, as well as from the rigidity with which his cousin, usually a limp person, held herself erect, in the attitude of a woman who has no intention of retiring from the stand she has taken.
"You force me to speak more plainly than I like, Derek," she was saying, "because you make yourself so obtuse. You seem to forget that years have a way of passing, and that Dorothea is no longer a very little girl."
"She's barely seventeen—no more than a child."
"But a motherless child, and one who has been allowed a great deal of liberty."
"Is there any reason why a girl shouldn't be a free creature?"
"Only the reason why a boy shouldn't be one."