The Street Called Straight

by Basil King

"But the money did come?"

She made a point of finishing her sentence. "If the money hadn't come papa would have had to go to prison. Yes, the money did come. A friend of—of papa's—and Drusilla's—advanced it. It's been paid over to the people who were going to law."

"So that part of it is settled?"

"That part of it is settled to the extent that no action will be taken against papa."

She continued to talk on gently, evenly, giving him the facts unsparingly. It was the only way. Her very statements, so it seemed to her, implied that as marriage between them was no longer possible their engagement was at an end.

She was not surprised that he scarcely noticed when, having said all she had to say, she ceased speaking. Taking it for granted that he was thinking out the most merciful way of putting his verdict into words, she, too, remained silent. She was not impatient, nor uneasy, nor alarmed. The fact that the business of telling him was no longer ahead of her, that she had got it over, brought so much relief that she felt able to await his pleasure.

She mistook, however, the nature of his thoughts. Once he had grasped the gist of her information, he paid little attention to its details. The important thing was his own conduct. Amid circumstances overwhelmingly difficult he must act so that every one, friend or rival, relative, county magnate or brother officer, the man in his regiment or the member of his club, the critic in England or the onlooker in America, should say he had done precisely the right thing.

He used the words "precisely the right thing" because they formed a ruling phrase in his career. For twenty-odd years they had been written on the tablets of his heart and worn as frontlets between his brows. They had first been used in connection with him by a great dowager countess now deceased. She had said to his mother, apropos of some forgotten bit of courtliness on his part, "You can always be sure that Rupert will do precisely the right thing." Though he was but a lad at Eton at the time, he had been so proud of this opinion, expressed with all a dowager countess's authority, that from the moment it was repeated to him by his mother he made it a device. It had kept him out of more scrapes than he could reckon up, and had even inspired the act that would make his name glorious as long as there were annals of the Victoria Cross.

He had long been persuaded that had the dowager countess not thus given the note to his character his record would never have been written on that roll of heroes. "I should have funked it," was his way of putting it, by which he meant that he would have funked it through sheer ignorance of himself and of his aptitude for the high and noble. It was an aptitude that flourished best under an appreciative eye—of the dowager countess looking down from heaven—or of the discerning here on earth—as an actor is encouraged by a sympathetic public to his highest histrionic efforts. If there was anything histrionic in Ashley himself, it was only in the sense that he was at his finest when, actually or potentially, there was some one there to see. He had powers then of doing precisely the right thing which in solitude might have been dormant from lack of motive.

It was undoubtedly because he felt the long-sighted eyes of England on him that he had done precisely the right thing in winning the Victoria Cross. He confessed this—to himself. He confessed it often—every time, in fact, when he came to a difficult passage in his life. It was his strength, his inspiration. He confessed it now. If he sat silent while Olivia Guion waited till it seemed good to him to speak, it was only that he might remind himself of the advantages of doing the right thing, however hard. He had tested those advantages time and time again. The very memories they raised were a rebuke to weakness and hesitation. If he ever had duties he was inclined to shirk, he thought of that half-hour which had forever set the seal upon his reputation as a British soldier.