"Say, I'll give you a line on that. Do you know how a young fellow in a country town—I don't know anything about swell places like New York—becomes a barber?"

I said I didn't, that I had never given a thought to the subject.

"Well, he doesn't learn, and nobody ever teaches him. He just sits round in the barber shop, brushing hats and hanging up overcoats, and wishing to the Lord he was a barber, and all of a sudden he is one. He's watched the shaves and hair-clips, hardly knowing he's been doing it, but wishing like blazes all the while, and at last it comes to him like song to a young bird. Now you've got to sit round. Sit tight and sit round. Wish and watch, and watch and wish, and the divine urge that turns a youngster into a barber, because that's what he's got his heart on, will steer you into the right way. This isn't going to be anything you can learn, as you'd learn to drive a motor or dissect a dead body. It won't be a profession, it'll be a life, that'll show you the trick. Don't try to hurry things, Jasper; and don't expect that three weeks or three months or three years are going to make this mum old world fork you out its secrets. Just stick, and if you don't do the thing you're aiming at you'll do another just as useful. Why, the doctor was going to chuck all his experiments on the influenza bug when I persuaded him to keep at it; and so he discovered the thing that scientists have been after since Dockendorff thought he'd tracked it down as long ago as 1893. All sticking!"

CHAPTER III

I confess that I was comforted by these hearty words, and braced in a determination that was beginning to splutter out. Drinkwater's divine urge was not unlike my own thread of flame and Denis's Holy Mother, who was a light even to the feet of Protestants. It was the same principle—that of a guide, an impulse, an illumination, which our own powers could generate when lifted up to, and associated with, the universal beneficence. I decided to take to formula, "Wish and watch, and watch and wish," as the device of my knight-errantry. As a matter of fact, by the sheer process of wishing I secured a secondary position for myself in the textile department of the Metropolitan Museum, while by that of watching I found that one of Bridget's boys and two of the Finn's had aptitudes highly worth developing right along this line. It wasn't much; but it was a beginning in the way in which I hoped to go, and might lead to something more.

In all this time, as you can imagine, Vio was my ruling thought, and guessing her intentions my daily occupation. Since she presumably wanted a divorce, there were doubtless grounds on which she could secure one by going the right way to work; but as to whether she was doing this or not nothing had yet been said to me. Nothing was said to me of any kind. I had not written to her, nor had she to me; and my other communication with Boston was only through my bankers. Even that was growing more irregular since I had changed my business address to Meeting-House Green.

What I was chiefly seeking was forgetfulness. Lydia had reproached me with being a "poor boob" in giving up the struggle for Vio's love; but Lydia hadn't known the wound Vio had inflicted. The more I thought of that the more I felt it due to the dignity of love to attempt neither explanation nor defense. On mere circumstantial evidence Vio had believed me guilty of the crime she would probably have rated as the blackest in the calendar. I couldn't forgive that. I had no intention of forgiving it. The more I loved her the less I could forget that she had returned my love in this way. The most chivalrous thing I could do, the most merciful toward her, and the most tender was what I was doing. I could leave her without a contradiction, so justifying tacitly whatever she may have thought, and putting no restraint on her future liberty of action.

I said so to Mildred Averill when we talked it over about the middle of March. I had not intended to renew this connection unless a sign was made from the other side; but it was given in the form of a line from Miss Averill begging me to come and see her in the apartment she had taken for herself in Park Avenue, where at last she had a little home. Knowing that my duties kept me at the Museum on week-days she had fixed the time for a Sunday afternoon.

It will be remembered that we had met in the previous December, so that I found little change in her now. As I had noticed then, she had grown more spiritual, with an expression of restfulness and peace.

"That's because I don't struggle so much," she explained, in answer to my remark on this change; "I don't fight so much. I'm not nearly the rebel I used to be."