So long a time had passed since I had seen the interior of an American house of this order that I took notes as I made my way up-stairs. Out of the unsuspected resources of my being came the capacity to do it. Most people on entering a house see nothing but its size. A background more or less elaborately furnished may be in their minds, but they have not the knowledge to enable them to seize details. The careful arrangement of taste is all one to them with some nondescript, haphazard jumble.
In this dwelling, in one of the streets off Fifth Avenue, on the eastern side of Central Park, I found the typical home of the average wealthy American. Money had been spent on it, but with a kind of helplessness. Helplessness had designed the house, as it had planned, or hadn't planned, the street outside.
A square hall contained a few monumental pieces of furniture because they were monumental. A dining-room behind it was full of high-backed Italian chairs because they were high-backed and Italian. The stairs were built as they were because the architect had not been able to avoid a dark spot in the middle of the house and the stairs filled it. On the floor above a glacial drawing-room in white and gold, with the furniture still in bags, ran the width of the back of the house, while across the front was the library into which I was shown, spacious, cheerful, with plenty of books, magazines, and easy-chairs. In the way of pictures there were but two—modern portraits of a man and a woman, whom I had no difficulty in setting down as the father and mother of Averill. Of the mother I knew nothing except that she had been a school-teacher; of the father Miss Blair had given me the detailed history as told in Men Who Have Made New Jersey.
Hubbard Averill was the son of a shoemaker in Elizabeth. On leaving school at fifteen he had the choice of going into a grocery store as clerk or as office-boy into a bank. He chose the bank. Ten years later he was teller. Five years after that he was cashier. Five years after that he had the same position in a bank of importance in Jersey City. Five years after that he was recognized as one of the able young financiers in the neighborhood of New York. Before he was fifty his name was honored by those who count in Wall Street. It was the history of most of the successful American bankers I had ever heard of.
There was no packing-case in the library, but a number of objects recently unpacked stood round about on tables, waiting to be disposed of. There was a little Irish glass, with much old porcelain and pottery, both Chinese and European. I had not the time to appraise the things with the eye before Miss Averill slipped in.
She wore a hat, and, dressed in what I suppose was tan-colored linens, she seemed just to have come in from the street.
"My sister will be down in a minute. She's generally late on Sunday. I've been good and have been to church."
We sat down together on a window-seat, with some self-consciousness on both sides. I noticed again that, though her hair was brown, her eyebrows and long curving lashes were black, striking the same discreet yet obscurely dangerous note as the rest of her personality. In the topaz of her eyes there were little specks of gold like those in her chain of amber beads.
After a little introductory talk she began telling me of the help Miss Blair was giving Drinkwater. She had begun to teach him what she called "big stenography." Shorthand and the touch system were included in it, as well as the knack of transcribing from the dictaphone. Boyd had bought a machine on purpose for them to practise with, looking forward to the day when Harry should resume his old job connected with laboratory work.
"And what's to become of Miss Blair?"