"You must remember, Soames," she said, in her business-like way, "that this is not the only employment-office in New York. Here's a list of addresses, at any of which you may find what we haven't been able to secure for you."

I took the paper, thanked her, and went on into the coop before the significance of this act came to me. It was dismissal. It was not merely dismissal from a place, it was dismissal from the possibility of a dismissal. To have a place, even if only, as Pelly put it, to be bounced from it, was something; but to be denied the chance of being bounced...

I ought to have got up there and then and walked out; but I think I was too stunned. The chatty groups were forming all over the place, and early matrons looking for maids were being refused first by one spirited damsel and then by another. In the coop there was the usual low, intermittent murmur, accentuated now and then by ugly words, and now and then by oaths. To me it was no more than the hum of activity in the streets in the ears of a man who is dying.

Recovering from this state, which was almost that of coma, I began feeling for my hat. I had to go out. I had to find a way to do the only thing left for me to do. I had no idea of the means, and so must think them over.

And just then I heard a young fellow speaking, with low gurgles of fun. He was at the end of the pen and was narrating an experience of the afternoon before.

"It was a whale of a rolled-up rug that must have weighed five hunderd pounds. 'Carry that up-stairs,' says the Floater. 'Like hell I will,' says I. He says, 'You'll carry that up or you'll get out o' here.' I says, 'Well, Creed and Creed ain't the only house to work for in New York.' 'You was damn glad to get here,' he says, madder 'n blazes. I says, 'Not half so damn glad as I'll be to get somewhere else,' says I. 'You've had five men on this job in less than four weeks,' says I, 'and now you'll have to get a sixth,' says I, 'if there's any one in the city fool enough to take it. Carryin' rugs that 'd break a man's back,' I says, 'is bad enough; but before I'd go on workin' under a blitherin' old son of a gun like you—'"

I didn't wait to hear more. I knew the establishment of Creed & Creed, not far away, in the lower part of Fifth Avenue. Many a time I had stopped to admire the great rugs hung in its windows as a bait to people living in palaces. Not twenty-four hours earlier a place had been vacated there, a hard place, a humble place, and it was possible, barely possible...

Up the street that led to Washington Square I ran; I ran through Washington Square itself; for the two or three blocks of Fifth Avenue I slackened my pace only in order not to arrive breathless.

There it was on a corner, the huge gray pile, with its huge bright windows—and my heart almost stopped beating. Breathless now from another cause than speed, I paused, nominally to gaze at an immense Chinese rug, but really to compose my mind to what might easily prove the last effort of my life. This rug, too, hanging with a graceful curve in which yellow deepened to orange and orange to glints of acorn-brown, might easily prove the last beautiful thing my eyes would ever rest upon. I remembered saying to myself that beauty was the thread of flame that would lead me home; but the thread of flame had been treacherous. I could have given an expert's opinion on a work of art like this; and yet I was begging for the privilege of handling it in the most laborious manner possible, just that I might eat.

And as I stared at the thing, forming the words in which I should frame my request for work, a soft voice, close beside me, said: