"Your broth, you, the circumcised,
From the darkness I give it,
I give you thevunga leaves,
Your broth, you, the circumcised."

CIRCUMCISION A RELIGIOUS RITE

The word for circumcision, teve, may not be uttered before women; in their presence it must be called kula. The proper time for performing the rite is immediately after the death of a chief, and it is accompanied by rude games—wrestling, sham fights, mimic sieges, which vary according to the locality. Uncircumcised youths were regarded as unclean, and were not permitted to carry food for the chiefs. The

ceremony was generally followed by the assumption of the malo, or perineal bandage, for children of both sexes went naked to the tenth year, or even later if of high rank; but this was not invariable, for the malo was worn sometimes many months before, and sometimes not assumed till some time after the ceremony. The assumption of the malo, or of the liku (grass petticoat) by the child of a chief was the occasion of a great feast, and the postponement of this feast sometimes condemned the child to go naked until long after puberty. The daughter of the late chief of Sambeto was thus still unclad till past eighteen, and the unfortunate girl was compelled, through modesty, to keep the house until after nightfall.

The custom of circumcision still persists despite the abandonment of the ceremonial that attended it. The instrument is now usually a trade knife, and the operation is performed in the privacy of the boy's family, who may, or may not, give a feast to his near relations. I have tried unsuccessfully to obtain any traditions that would give a clue to its origin. The most that a Fijian can say is that to be uncircumcised is a reproach, though to a people who cover the pudenda with the hand even while bathing, and probably never expose their nakedness even to their own sex throughout their lives, this can have but little weight. No doubt the Fijians brought the custom with them in remote times, and its origin is probably the same in their case as in that of the Nacua of Central America, the Egyptians, and the Bantu races of Africa—namely, the idea of a blood sacrifice to the mysterious spirit of reproduction.

Shortly before puberty every Fijian girl was tattooed. This was not for ornament, for the marks were limited to a broad horizontal band covering those parts that were concealed by the liku, beginning about an inch below the cleft of the buttocks and ending on the thighs about an inch below the fork of the legs. The pattern covered the Mons Veneris and extended right up to the vulva. There is not much art in the patterns, which are, as a rule, mere interlacing of parallel line and lozenges, the object being apparently to cover every portion

of the skin with pigment. The operation is performed by three old women, two to hold the patient, and the third to use the fleam. It is done in the daytime, when the men are absent in their plantations. The girl is laid stripped upon the mats opposite the open door, where the light is best.

With an instrument called a mbati, or tooth, and a cocoanut shell filled with a mixture of charcoal and candle-nut oil, the operator first paints on the lines with a twig, and then drives them home with the mbati, which consists of two or more bone teeth embedded in a wooden handle about six inches long, dipping it in the pigment between each stroke of the mallet, and wiping away the blood with bark-cloth, while the other two control the struggles of the patient. The operation is continued until the patient can bear no more, for in the tender parts between the thighs it is excessively painful. There is usually some inflammation, but the wounds heal quickly. A ceremonial feast is generally given by the girl's parents.

In addition to this tattooing, barbed lines and dots were marked upon the fingers of young girls to display them to advantage when handing food to the chiefs, and after childbirth a semicircular patch was tattooed at each corner of the mouth. In the hill districts of Vitilevu these patches are sometimes joined by narrow lines following the curve of both lips. The motive for this practice, which even Fijians admit to be a disfigurement, is to display publicly a badge of matronly staidness and respectability. The wife who has borne children has fulfilled her mission, and she pleases her husband best by ceasing for the remainder of her life to please other men.

The tattooing of the buttocks has undoubtedly some hidden sexual significance which is difficult to arrive at. It is said to have been instituted by the god Ndengei, and in the last journey of the Shades an untattooed woman was subjected to various indignities.