The reason men and horses are so represented simply is that according to a standard rule of ancient Greek art the heads of men and animals, and of all other figures shown on such compositions, must be as nearly as possible upon a level, even though some of the figures may be standing, some seated, some on horseback, some in chariots.
This rule, known as “Isokelismos,” is of course in direct opposition to the rule of nature, yet as it existed it had to be observed, and therefore no attempt should ever be made to compare the height of men or beasts shown in such representations as the Parthenon frieze merely by the appearance and the proportions they present. By observing how far below the horses' bellies the feet of the mounted men hang, an approximate idea of the height of the men by comparison with that of some of their horses may be arrived at.
Herodotus is of opinion that about the year 480 B.C. finer horses were owned by the Nisæan than by any other people of Asia, and he mentions that white horses were so highly valued by the Persians of about that period—who are known to have used many white horses for sacrificial purposes—that “some three hundred and sixty horses, or about one for every day in the year, and five hundred talents of silver,” was the tribute sent by the Sicilians. This statement leads to the conclusion that white horses must have been exceptionally plentiful in the region.
That Armenia had many horses, which were largely used even so far back as the fifth century B.C., can be gathered from the writings of Ezekiel, for the prophet does not hesitate to declare that the people of Togarmah, which presumably was part of Armenia, traded in the fairs in horses and mules.
Pindar, who so glorified King Arcesilas, tells us that Cyrene became famous as the city of steeds and goodly chariots, and later the poet Callimachus sang of his home “famed for her steeds.” Hiero II. of Syracuse owed practically all his great successes to the fact that he owned horses of considerable value, and to this day figures in marble of horses dedicated by him in commemoration of his victories at Olympia are to be seen in the local museum of Delphi.
Almost every year attempts are made by wealthy Americans and others to purchase some of these figures, but down to the present such attempts have proved of no avail.
Plato, again, has much to say upon the horse in its relation to the history of his epoch. Thus in one place he writes: “We must mount our children on horses in their earliest youth, and take them on horseback to see war, in order that they may learn to ride; the horses must not be spirited or warlike, but the most tractable and yet the swiftest that can be had; in this way they will get an excellent view of what is hereafter to be their business; and if there is danger they have only to follow their elder leaders and escape.”
Agrigentum—until 405 B.C., when it was destroyed by the Carthaginians—was famous for its horses. It is said that on one occasion, when one of the best-known citizens, Exænetus, won the principal chariot race at Olympus, the entire population came forth to meet him, and that he was preceded into the city by 300 chariots drawn by pairs of white horses. Indeed some of the most gorgeous monuments ever erected to the memory of famous race horses were those raised in this city during the period of its splendour.