Mr. George Goulding, the Canadian world’s champion, has generously contributed the following paragraphs on Competitive Walking. The definition of a “fair gate,” taken by Mr. Goulding for granted, is, “one in which one foot touches the ground before the other leaves it, only one leg being bent in stepping, namely, that which is being put forward.”
“In the present mad scramble of the business world, men forget the need of exercise; they are intent on rapid transit, but give little thought to walking. Walking is the natural mode of travel, it is one of the best forms of exercise, and should be engaged in by everyone, and by most people in larger degree.
“If ordinary walking for health and recreation has fallen into disuse, so has speed walking in competition. There are, however, still a few of the old school left, in Weston, O’Leary, Ward, and others, who remind us of the time when the art of fast walking was more highly esteemed in the athletic world.
“You have asked me to give my ideas on fair heel and toe walking for competition, or speed walking, and in replying I ask you at the outset to take Webster’s Dictionary from your shelf and see what the definition of walk is: ‘To proceed [at a slower or faster rate] without running or lifting one foot entirely before the other is set down.’ Based on that definition, a set of rules has been drawn up to govern the sport, differentiating a fast walk from a running trot. The chief thing for the novice just starting is to get thoroughly acquainted with the rules and stick to them, never violating them in the slightest.
“I cannot here make minute comment upon all the rules of championship walking, but I will do my best to bring out in a brief way the essentials. To simplify and make vivid what I have in mind to say, let the reader accompany me to some athletic track and see with me a bunch of walkers in action.
“It is a principle of walking which I have set before myself, to economize effort, to attain maximum speed with minimum expenditure of strength; but you do not see that principle carried out by all the walkers before you on the track. One fellow over there is twisting his body on the back stretch in an awful contortion, showing he is not a natural walker. Another, just behind him, is jumping in a jerky way all the time, owing to the fact that he is not using his hips to advantage. But look at this young chap just taking the turn, how smoothly he works! What freedom of action he has! Look at his hop motion! In order to get a better view, let us step out upon the track. Now see how his hip is brought well round at each stride, the right being stretched out a little to the left, and the left in the next stride to the right, in order that he can bring his feet, one directly in front of the other. Notice that he walks in a perfectly straight line. That is to say, if a direct line were drawn around the track, he would place each foot alternately upon it. Bear in mind that the shortest distance between any two points is a straight line. By this time the walker has passed us, and we get a view of him from the field. In contrast with the other contestants, he does not seem to have any hip action. That is because his stride is perfectly straight, no overlapping; his stride shoots out right from the waist; he gets into it every possible inch, and yet there is no disturbance of the smoothness of his action. And with his perfect stride note how he works his feet to advantage: the right foot comes to the ground heel first, and as the left leg is swung in front of the right, the ball of the right comes down; then, as the right foot rises to the toe position, the heel of the left strikes the ground and in turn takes the weight of the body. Notice how one foot is on the ground all the time; there is no possibility of a lift. A good test, to judge whether a walker is ‘lifting’ or not, is to note whether his head moves in a straight line; for, when one lifts, the head moves up and down.
“Now notice the difference in the way the different men ‘lock’ their knees. The knee should be perfectly straight or ‘locked’ as the foremost foot reaches the ground, and should continue so through the beginning of the stride. It is easier to reach forward with a straight knee than with a bent one. As the heel comes to contact with the ground, the weight of the body is shifted from the rearward to the forward foot, and the leg that has just swung forward now begins to propel the body. The straightened knee is at this instant locked. The ‘lock’ should be decided and complete. Remember this clearly, that the knee should be first straight and then locked. A knee bent throughout the stride is not to be approved. The rules call for a fair heel and toe walk, with a stiff knee, and we have got to live up to them.
“With our walkers still in view as they go around the track, let us study their arm motion. Notice how that fellow is slashing away across his chest. That is not necessary. Neither is the action of the man just ahead of him, who is throwing his arms away out laterally from the hips. Now look at the fellow with the freedom of action we have already noted. His arms are fairly low, they do not rise higher than the breast. On the forward swing of his arm the elbow does not pass the hip, and on the backward swing the hand does not pass the hip. The man does not carry corks. (The less concentration of mind upon the action of muscles the better.)
“I think I have illustrated the chief points involved in walking according to the rules laid down. Perhaps a summary of the rules for fair heel and toe walk will be useful:
“Hip motion: Just enough twist or curve given to bring the feet alternately in one straight line.