The discharge of a cannon announced the Sultan's departure from his palace, and immediately the guns on the frigates and the batteries on both shores took up the salute, till the grand echoes, filling the hollow throat of the Golden Horn, crashed from side to side, striking the hills of Scutari and the point of Chalcedon, and finally dying away among the summits of the Princes' Islands, out on the Sea of Marmora. The hulls of the frigates were now lighted up with intense chemical fires, and an abundance of rockets were spouted from their decks. A large Drummond light on Seraglio Point, and another at the Battery of Tophaneh, poured their rival streams across the Golden Horn, revealing the thousands of caïques jostling each other from shore to shore, and the endless variety of gay costumes with which they were filled. The smoke of the cannon hanging in the air, increased the effect of this illumination, and became a screen of auroral brightness, through which the superb spectacle loomed with large and unreal features. It was a picture of air--a phantasmagoric spectacle, built of luminous vapor and meteoric fires, and hanging in the dark round of space. In spite of ourselves, we became eager and excited, half fearing that the whole pageant would dissolve the next moment, and leave no trace behind.

Meanwhile, the cannon thundered from a dozen batteries, and the rockets burst into glittering rain over our heads. Grander discharges I never heard; the earth shook and trembled under the mighty bursts of sound, and the reverberation which rattled along the hill of Galata, broken by the scattered buildings into innumerable fragments of sound, resembled the crash of a thousand falling houses. The distant echoes from Asia and the islands in the sea filled up the pauses between the nearer peals, and we seemed to be in the midst of some great naval engagement. But now the caïque of the Sultan is discerned, approaching from the Bosphorus. A signal is given, and a sunrise of intense rosy and golden radiance suddenly lights up the long arsenal and stately mosque of Tophaneh, plays over the tall buildings on the hill of Pera, and falls with a fainter lustre on the Genoese watch-tower that overlooks Galata. It is impossible to describe the effect of this magical illumination. The mosque, with its taper minarets, its airy galleries, and its great central dome, is built of compact, transparent flame, and in the shifting of the red and yellow fires, seems to flicker and waver in the air. It is as lofty, and gorgeous, and unsubstantial as the cloudy palace in Cole's picture of "Youth." The long white front of the arsenal is fused in crimson heat, and burns against the dark as if it were one mass of living coal. And over all hangs the luminous canopy of smoke, redoubling its lustre on the waters of the Golden Horn, and mingling with the phosphorescent gleams that play around the oars of the caïques.

A long barge, propelled by sixteen oars, glides around the dark corner of Tophaneh, and shoots into the clear, brilliant space in front of the mosque. It is not lighted, and passes with great swiftness towards the brilliant landing-place. There are several persons seated under a canopy in the stern, and we are trying to decide which is the Sultan, when a second boat, driven by twenty-four oarsmen, comes in sight. The men rise up at each stroke, and the long, sharp craft flies over the surface of the water, rather than forces its way through it. A gilded crown surmounts the long, curved prow, and a light though superb canopy covers the stern. Under this, we catch a glimpse of the Sultan and Grand Vizier, as they appear for an instant like black silhouettes against the burst of light on shore.

After the Sultan had entered the mosque, the fires diminished and the cannon ceased, though the illuminated masts, minarets and gateways still threw a brilliant gleam over the scene. After more than an hour spent in devotion, he again entered his caïque and sped away to greet his new wife, amid a fresh discharge from the frigates and the batteries on both shores, and a new dawn of auroral splendor. We made haste to reach the landing-place, in order to avoid the crowd of caïques; but, although we were among the first, we came near being precipitated into the water, in the struggle to get ashore. The market-place at Tophaneh was so crowded that nothing but main force brought us through, and some of our party had their pockets picked. A number of Turkish soldiers and police-men were mixed up in the melee, and they were not sparing of blows when they came in contact with a Giaour. In making my way through, I found that a collision with one of the soldiers was inevitable, but I managed to plump against him with such force as to take the breath out of his body, and was out of his reach before he had recovered himself. I saw several Turkish women striking right and left in their endeavors to escape, and place their hands against the faces of those who opposed them, pushing them aside. This crowd was contrived by thieves, for the purpose of plunder, and, from what I have since learned, must have been very successful.

I visited to-day the College of the Mevlevi Dervishes at Pera, and witnessed their peculiar ceremonies. They assemble in a large hall, where they take their seats in a semi-circle, facing the shekh. After going through several times with the usual Moslem prayer, they move in slow march around the room, while a choir in the gallery chants Arabic phrases in a manner very similar to the mass in Catholic churches. I could distinguish the sentences "God is great," "Praise be to God," and other similar ejaculations. The chant was accompanied with a drum and flute, and had not lasted long before the Dervishes set themselves in a rotary motion, spinning slowly around the shekh, who stood in the centre. They stretched both arms out, dropped their heads on one side, and glided around with a steady, regular motion, their long white gowns spread out and floating on the air. Their steps were very similar to those of the modern waltz, which, it is possible, may have been derived from the dance of the Mevlevis. Baron Von Hammer finds in this ceremony an imitation of the dance of the spheres, in the ancient Samothracian Mysteries; but I see no reason to go so far back for its origin. The dance lasted for about twenty minutes, and the Dervishes appeared very much exhausted at the close, as they are obliged to observe the fast very strictly.

Chapter XXVII.

The Solemnities of Bairam.

The Appearance of the New Moon--The Festival of Bairam--The Interior of the Seraglio--The Pomp of the Sultan's Court--Rescind Pasha--The Sultan's Dwarf--Arabian Stallions--The Imperial Guard--Appearance of the Sultan--The Inner Court--Return of the Procession--The Sultan on his Throne--The Homage of the Pashas--An Oriental Picture--Kissing the Scarf--The Shekh el-Islàm--The Descendant of the Caliphs--Bairam Commences.

Constantinople, Monday, July 19, 1852.

Saturday was the last day of the fast-month of Ramazan, and yesterday the celebration of the solemn festival of Bairam took place. The moon changed on Friday morning at 11 o'clock, but as the Turks have no faith in astronomy, and do not believe the moon has actually changed until they see it, all good Mussulmen were obliged to fast an additional day. Had Saturday been cloudy, and the new moon invisible, I am not sure but the fast would have been still further prolonged. A good look-out was kept, however, and about four o'clock on Saturday afternoon some sharp eyes saw the young crescent above the sun. There is a hill near Gemlik, on the Gulf of Moudania, about fifty miles from here, whence the Turks believe the new moon can be first seen. The families who live on this hill are exempted from taxation, in consideration of their keeping a watch for the moon, at the close of Ramazan. A series of signals, from hill to hill, is in readiness, and the news is transmitted to Constantinople in a very short time Then, when the muezzin proclaims the asser, or prayer two hours before sunset, he proclaims also the close of Ramazan. All the batteries fire a salute, and the big guns along the water announce the joyful news to all parts of the city. The forts on the Bosphorus take up the tale, and both shores, from the Black Sea to the Propontis, shake with the burden of their rejoicing. At night the mosques are illuminated for the last time, for it is only during Ramazan that they are lighted, or open for night service.