“I'm a monkey,” repeated the unconscious Miss Lavender, whereupon both boys burst into shrieks of laughter, and made their escape.
“Much dough-nuts they'll get from me,” muttered the ruffled spinster, as she pinned up her sleeves and proceeded to help Sally. The work went on rapidly, and by the middle of the afternoon, the kitchen wore its normal aspect of homely neatness. Then came the hour or two of quiet and rest, nowhere in the world so grateful as in a country farm-house, to its mistress and her daughters, when all the rough work of the day is over, and only the lighter task of preparing supper yet remains. Then, when the sewing or knitting has been produced, the little painted-pine work-stand placed near the window, and a pleasant neighbor drops in to enliven the softer occupation with gossip, the country wife or girl finds her life a very happy and cheerful possession. No dresses are worn with so much pleasure as those then made; no books so enjoyed as those then read, a chapter or two at a time.
Sally Fairthorn, we must confess, was not in the habit of reading much. Her education had been limited. She had ciphered as far as Compound Interest, read Murray's “Sequel,” and Goldsmith's “Rome,” and could write a fair letter, without misspelling many words; but very few other girls in the neighborhood possessed greater accomplishments than these, and none of them felt, or even thought of, their deficiencies. There were no “missions” in those days; it was fifty or sixty years before the formation of the “Kennett Psychological Society,” and “Pamela,” “Rasselas,” and “Joseph Andrews,” were lent and borrowed, as at present “Consuelo,” Buckle, Ruskin, and “Enoch Arden.”
One single work of art had Sally created, and it now hung, stately in a frame of curled maple, in the chilly parlor. It was a sampler, containing the alphabet, both large and small, the names and dates of birth of both her parents, a harp and willow-tree, the twigs whereof were represented by parallel rows of “herring-bone” stitch, a sharp zigzag spray of rose-buds, and the following stanza, placed directly underneath the harp and willow:—
“By Babel's streams we Sat and Wept
When Zion we thought on;
For Grief thereof, we Hang our Harp
The Willow Tree upon.”
Across the bottom of the sampler was embroidered the inscription: “Done by Sarah Ann Fairthorn, May, 1792, in the 16th year of her age.”
While Sally went up-stairs to her room, to put her hair into order, and tie a finer apron over her cloth gown, Miss Betsy Lavender was made the victim of a most painful experience.
Joe and Jake, who had been dodging around the house, half-coaxing and half-teasing the ancient maiden whom they both plagued and liked, had not been heard or seen for a while. Miss Betsy was knitting by the front window, waiting for Sally, when the door was hastily thrown open, and Joe appeared, panting, scared, and with an expression of horror upon his face.
“Oh, Miss Betsy!” was his breathless exclamation, “Jake! the cherry-tree!”
Dropping her work upon the floor, Miss Lavender hurried out of the house, with beating heart and trembling limbs, following Joe, who ran towards the field above the barn, where, near the fence, there stood a large and lofty cherry-tree. As she reached the fence she beheld Jake, lying motionless on his back, on the brown grass.