The Deane mansion stood opposite the Unicorn Tavern. When built, ninety years previous, it had been considered a triumph of architecture; the material was squared logs from the forest, dovetailed, and overlapping at the corners, which had the effect of rustic quoins, as contrasted with the front, which was plastered and yellow-washed. A small portico, covered with a tangled mass of eglantine and coral honeysuckle, with a bench at each end, led to the door; and the ten feet of space between it and the front paling were devoted to flowers and rose-bushes. At each corner of the front rose an old, picturesque, straggling cedar-tree.
There were two front doors, side by side,—one for the family sitting-room, the other (rarely opened, except when guests arrived) for the parlor. Martha Deane entered the former, and we will enter with her.
The room was nearly square, and lighted by two windows. On those sides the logs were roughly plastered; on the others there were partitions of panelled oak, nearly black with age and smoke, as were the heavy beams of the same wood which formed the ceiling. In the corner of the room next the kitchen there was an open Franklin stove,—an innovation at that time,—upon which two or three hickory sticks were smouldering into snowy ashes. The floor was covered with a country-made rag carpet, in which an occasional strip of red or blue listing brightened the prevailing walnut color of the woof. The furniture was simple and massive, its only unusual feature being a tall cabinet with shelves filled with glass jars, and an infinity of small drawers. A few bulky volumes on the lower shelf constituted the medical library of Dr. Deane.
This gentleman was still standing at the window, with his hands clasped across his back. His Quaker suit was of the finest drab broadcloth, and the plain cravat visible above his high, straight waistcoat, was of spotless cambric. His knee-and shoe-buckles were of the simplest pattern, but of good, solid silver, and there was not a wrinkle in the stockings of softest lamb's-wool, which covered his massive calves. There was always a faint odor of lavender, bergamot, or sweet marjoram about him, and it was a common remark in the neighborhood that the sight and smell of the Doctor helped a weak patient almost as much as his medicines.
In his face there was a curious general resemblance to his daughter, though the detached features were very differently formed. Large, unsymmetrical, and somewhat coarse,—even for a man,—they derived much of their effect from his scrupulous attire and studied air of wisdom. His long gray hair was combed back, that no portion of the moderate frontal brain might be covered; the eyes were gray rather than blue, and a habit of concealment had marked its lines in the corners, unlike the open, perfect frankness of his daughter's. The principal resemblance was in the firm, clear outline of the upper lip, which alone, in his face, had it been supported by the under one, would have made him almost handsome; but the latter was large and slightly hanging. There were marked inconsistencies in his face, but this was no disadvantage in a community unaccustomed to studying the external marks of character.
“Just home, father? How did thee leave Dinah Passmore?” asked Martha, as she untied the strings of her beaver.
“Better,” he answered, turning from the window; “but, Martha, who did I see thee riding with?”
“Does thee mean Gilbert Potter?”
“I do,” he said, and paused. Martha, with her cloak over her arm and bonnet in her hand, in act to leave the room, waited, saying,—
“Well, father?”