At length the road came to the river's side, and we crossed on wooden bridges over two or three arms of the Danube, all of which together were little wider than the Schuylkill at Philadelphia. When we crossed the last bridge, we came to a kind of island covered with groves of the silver ash. Crowds of people filled the cool walks; booths of refreshment stood by the roadside, and music was everywhere heard. The road finally terminated in a circle, where beautiful alleys radiated into the groves; from the opposite side a broad street lined with stately buildings extended into the heart of the city, and through this avenue, filled with crowds of carriages and people on their way to those delightful walks, we entered Vienna!


CHAPTER XXII. — VIENNA.

May 31.—I have at last seen the thousand wonders of this great capital—this German Paris—this connecting link between the civilization of Europe and the barbaric magnificence of the East. It looks familiar to be in a city again, whose streets are thronged with people, and resound with the din and bustle of business. It reminds me of the never-ending crowds of London, or the life and tumult of our scarcely less active New York. Although the end may be sordid for which so many are laboring, yet the very sight of so much activity is gratifying. It is peculiarly so to an American. After residing in a foreign land for some time, the peculiarities of our nation are more easily noticed; I find in my countrymen abroad a vein of restless energy—a love for exciting action—which to many of our good German friends is perfectly incomprehensible. It might have been this which gave at once a favorable impression of Vienna.

The morning of our arrival we sallied out from our lodgings in the Leopoldstadt, to explore the world before us. Entering the broad Praterstrasse, we passed down to the little arm of the Danube, which separates this part of the new city from the old. A row of magnificent coffee-houses occupy the bank, and numbers of persons were taking their breakfasts in the shady porticoes. The Ferdinand's Bridge, which crosses the stream, was filled with people; in the motley crowd we saw the dark-eyed Greek, and Turks in their turbans and flowing robes. Little brown Hungarian boys were going around, selling bunches of lilies, and Italians with baskets of oranges stood by the side-walk. The throng became greater as we penetrated into the old city. The streets were filled with carts and carriages, and as there are no side-pavements, it required constant attention to keep out of their way. Splendid shops, fitted up with great taste, occupied the whole of the lower stories, and goods of all kinds hung beneath the canvass awnings in front of them. Almost every store or shop was dedicated to some particular person or place, which was represented on a large panel by the door. The number of these paintings added much to the splendor of the scene; I was gratified to find, among the images of kings and dukes, one dedicated "to the American," with an Indian chief in full costume.

The Altstadt, or old city, which contains about sixty thousand inhabitants, is completely separated from the suburbs, whose population, taking the whole extent within the outer barrier, numbers nearly half a million. It is situated on a small arm of the Danube, and encompassed by a series of public promenades, gardens and walks, varying from a quarter to half a mile in length, called the Glacis. This formerly belonged to the fortifications of the city, but as the suburbs grew up so rapidly on all sides, it was changed appropriately to a public walk. The city is still surrounded with a massive wall and a deep wide moat; but since it was taken by Napoleon in 1809, the moat has been changed into a garden, with a beautiful carriage road along the bottom, around the whole city. It is a beautiful sight, to stand on the summit of the wall and look over the broad Glacis, with its shady roads branching in every direction, and filled with inexhaustible streams of people. The Vorstaedte, or new cities, stretch in a circle around, beyond this; all the finest buildings front on the Glacis, among which the splendid Vienna Theatre and the church of San Carlo Borromeo are conspicuous. The mountains of the Vienna Forest bound the view, with here and there a stately castle on their woody summits. I was reminded of London as seen from Regent's Park, and truly this part of Vienna can well compare with it. On penetrating into the suburbs, the resemblance is at an end. Many of the public thoroughfares are still unpaved, and in dry weather one is almost choked by the clouds of fine dust. A furious wind blows from the mountains, sweeping the streets almost constantly and filling the eyes and ears with it, making the city an unhealthy residence for strangers.

There is no lack of places for pleasure or amusement. Beside the numberless walks of the Glacis, there are the Imperial Gardens, with their cool shades and flowers and fountains; the Augarten, laid out and opened to the public by the Emperor Joseph: and the Prater, the largest and most beautiful of all. It lies on an island formed by the arms of the Danube, and is between two and three miles square. From the circle at the end of the Praterstrasse, broad carriage-ways extend through its forests of oak and silver ash, and over its verdant lawns to the principal stream, which bounds it on the north. These roads are lined with stately horse chesnuts, whose branches unite and form a dense canopy, completely shutting out the sun. Every afternoon the beauty and nobility of Vienna whirl through the cool groves in their gay equipages, while the sidewalks are thronged with pedestrians, and the numberless tables and seats with which every house of refreshment is surrounded, are filled with merry guests. Here, on Sundays and holidays, the people repair in thousands. The woods are full of tame deer, which run perfectly free over the whole Prater. I saw several in one of the lawns, lying down in the grass, with a number of children playing around or sitting beside them. It is delightful to walk there in the cool of the evening, when the paths are crowded, and everybody is enjoying the release from the dusty city. It is this free, social life which renders Vienna so attractive to foreigners and draws yearly thousands of visitors from all parts of Europe.

St. Stephen's Cathedral, in the centre of the old city, is one of the finest specimens of Gothic architecture in Germany. Its unrivalled tower, which rises to the height of four hundred and twenty-eight feet, is visible from every part of Vienna. It is entirely of stone, most elaborately ornamented, and is supposed to be the strongest in Europe. If the tower was finished, it might rival any church in Europe in richness and brilliancy of appearance. The inside is solemn and grand; but the effect is injured by the number of small chapels and shrines. In one of these rests, the remains of Prince Eugene of Savoy, "der edle Ritter," known in a ballad to every man, woman and child in Germany.

The Belvidere Gallery fills thirty-five halls, and contains three thousand pictures! It is absolutely bewildering to walk through such vast collections; you can do no more than glance at each painting, and hurry by face after face, and figure after figure, on which you would willingly gaze for hours and inhale the atmosphere of beauty that surrounds them. Then after you leave, the brain is filled with their forms—radiant spirit-faces look upon you, and you see constantly, in fancy, the calm brow of a Madonna, the sweet young face of a child, or the blending of divine with mortal beauty in an angel's countenance. I endeavor, if possible, always to make several visits—to study those pictures which cling first to the memory, and pass over those which make little or no impression. It is better to have a few images fresh and enduring, than a confused and indistinct memory of many.