ACT I.
The Explanation of the Figures is given on the Opposite Page.
Italian Room in ROSCOE CROSBY'S home. New York. A handsomely furnished square room. 1. Door opening on stage down L. 2. Door opening on stage at back L.C. 3. Door opening on stage R.C. 4. Large fireplace C. at back. The fireplace with antique fire-dogs must be large enough for man to make an entrance coming through chimney. 5. Large window over R. in arch. 6. Platform one step high running full length of window, which is three sashes long. Trick blind on centre pane. Curtains on pole on centre windows to work on cue. 7. Up C. in front of fireplace facing up stage, large chesterfield sofa two feet wide. 8. Facing audience another large chesterfield sofa, C., sofas back to back. 9. At each end of sofas small console tables. Console table at right end of sofa is the trick table which ROSALIE lifts. On console tables at either end of sofa, table lamps. On console table left end of sofa, fancy cigarettes box with cigarettes and match-box and ash-tray. 10. Right of the door, R.C., large antique Italian chest. 11. Left of door, L.C., large antique chest. Vases on chests. On flat over L. large tapestry. 12. Against wall over L. running up and down stage long ornate Italian chest. 13. At either end of this chest Italian lamps, seven feet high, standing on floor. Below door down L., on flat, an antique clock. 14. Below door down L., arm-chair. 15. Left side of fireplace chair with cushion seat. On mantel two large antique vases. 16. Right side of fireplace, chair with cushion seat. 17. Large arm-chair. 18. Over right is a large library table sitting diagonally up and down stage. On table: book-rack with four books, desk-pad, stationery-holder with stationery, pens, pencils, ink-box, magazines. 19. Arm-chair back of table. 20. Chair below table. 21. Chair above table. 22. On platform in window arch, long seat. 23. Below window arch long arm-chair. 24. Large wall lanterns, on up stage and down stage, end of window arch. Plush valence or drapery for windows. Rugs on ground cloth. On flat right of doors up R.C. small-sized, painted, image of the Virgin. Interior backing for door down L., up L.C., and R.C. Fireplace backing. Exterior backing for window over R. 25. Off stage down L. large Italian table with two bronze vases, and a shrine of the Virgin on it. Off stage R.C. are eight small chairs, to be brought on stage on cue during First Act. In ceiling, directly over table R., is a double slot to hold knives. During First Act, after WILLIAM puts out table lamp, after MISS EASTWOOD'S scream, the knife in down stage slot is let down in sight of audience. Seen with point sticking in ceiling. Between Second and Third Acts, the knife that falls on cue, during Third Act, is placed up stage slot in ceiling, with point downwards. Setting the knife down in view of audience in First Act, as well as releasing the second knife so that it falls, and sticks in table during Third Act, is worked by strings off stage R.
LIGHT PLOT.
Foots full rose, ambers 3/4 at rise. Light switch down stage side of door down L. Hanging lamps, post lamps, table lamps, lit. Amber strip in doorway down L. lit. One light strip amber, in doorway R.C. and L.C. Two light strip amber, hung on fireplace backing. Two blue bunches outside window R., lit. Baby amber shooting across stage from window R. Baby amber striking mantel up C. from window R. Baby amber down L. at proscenium arch shooting across stage, lit. Blue baby focused to strike ROSALIE in chair C. from window R., OUT AT RISE. White frost spot in position outside of window R. to strike ceiling on cue, OUT AT RISE.
1ST CUE.—When ROSALIE lifts table first time sneak off baby down stage L., also baby from window R. that starts across stage.
2ND CUE.—After POLLOCK locks door down L., all entrance strips and baby down L., out.