“Have you your ocarina, Marchmont?” she breathed.

“I always carry it, Felicity,” he replied, with a reproachful look, drawing from his pocket what appeared to be a somewhat contorted meerschaum pipe.

“Then no piano to-night, Connie. A little banal, the piano, perhaps.” Her hands waved vaguely.

A space was cleared; chairs were arranged.

Miss Berber vanished behind a portiere. The languid Marchmont draped himself in a corner, and put the fat little meerschaum to his lips. A clear, jocund sound, a mere thread of music, as from the pipe of some hidden faun, penetrated the room. The notes trembled, paused, and fell to the minor. Felicity, feet bare, toes touched with scarlet, wafted into the room. Her dancing was incredibly light; she looked like some exotic poppy swaying to an imperceptible breeze. The dance was languorously sad, palely gay, a thing half asleep, veiled. It seemed always about to break into fierce life, yet did not. The scent of mandragora hung over it—it was as if the dancer, drugged, were dreaming of the sunlight.

When, waving a negligent hand to the applause, Felicity passed Stefan at the end of her dance, he caught a murmured phrase from her.

“Not soulless, perhaps, but sleeping.” Whether she meant this as an explanation of her dance or of herself he was not sure.

Mary watched the dance with admiration, and wished to compare her impressions of it with her husband's. She tried to catch his eye across the room at the end, but he had drifted away toward the dining room. Momentarily disappointed, she turned to find Farraday at her elbow, and gladly let him lead her, also, in search of refreshments. There was a general movement in that direction, and the drawing room was almost empty as McEwan, purpose in his eye, strode across it to Constance. He spoke to her in an undertone.

“Sing? Does she? I had no idea! She never tells one such things,” his hostess replied. “Do you think she would? But she has no music. You could play for her? How splendid, Mr. McEwan. How perfectly lovely of you. I'll arrange it.” She hurried out, leaving McEwan smiling at nothing in visible contentment. In a few minutes she returned with Mary.

“Of course I will if you wish it,” the latter was saying, “but I've no music, and only know foolish little ballads.”