Imagine a deep gorge in the heart of green, heavily-wooded hills; at the bottom, a narrow channel shaded by overhanging trees, where the pure mountain water runs clear and cold and deep, amber-brown pools quiver at the foot of white plunging falls—one only some seven feet high, the other a good thirty. This last was the Sliding Rock, over which we were all going to fling ourselves à la Sappho by-and-by, only with less melancholy consequences. It looked formidable enough, and when Pangati and the others, with cries of delight, pulled off their dresses, wound white and pink and green cotton lava-lavas over one shoulder, and round from waist to knee, crowned themselves picturesquely with woven fern-leaves, and plunged shrieking over the fall, I began to wish I had not come, or coming, had not promised to “slide.” However, there was no help for it, so I got into my English bathing-dress, which excited peals of merry laughter, because of its “continuations,” waded down the stream, and sitting in the rush of the water, held tightly on to a rock at each side, and looked over my own toes at the foaming, roaring thirty feet drop.
It was all over in a minute. Just an unclasping of unwilling hands from the safe black rocks, a fierce tug from the tearing stream, an exceedingly unpleasant instant when one realised that there was no going back now at any price, and that the solid earth had slipped away as it does in the ghastly drop of a nightmare dream; then nothing in the world but a long loud roar, and a desperate holding of the breath, while the helpless body shot down to the bottom of the deep brown pool and up again—and at last, the warm air of heaven filling one’s grateful lungs in big gasps, as one reached the surface, and swam across to the other side of the pool, firmly resolved on no account to do it again, now that it was over.
It was pleasant, afterwards, to sit among the rocks above the fall, and watch one after another of the native and half-caste girls—including a very charming and highly educated half-American, who had been to college in San Francisco, and to smart society dances in Samoa—rush madly over the fall, leaving behind them as they went a long, loud yell, like the whistle of a train going into a tunnel. One native girl daringly went down head first; another, standing incautiously near the edge of the fall, lost her balance, and simply sat down on the pool below, dropping through the air with arms and legs outspread like a starfish. Fangati seized a friend in her arms and tumbled over the verge with her, in a perfect Catherine wheel of revolving limbs. It was hours before the riotous party grew tired, and even then, only the sight of large green leaves being laid out on the stones, and palm-leaf baskets being opened, brought them out of the water, and got them into their little sleeveless tunics and gracefully draped kilts. By this time, the pretty Samoan-American’s mother had laid out the “ki-ki”—baked fowl and pig, taro-root, yams, bananas, pineapples, guavas, European delicacies such as cake and pies, and native dainties, including the delicious palusami, of which I have spoken before. The drinking cocoanuts had been husked and opened by the boy who brought the food, and there they stood among the stones, rows of rough ivory cups, lined with smooth ivory jelly of the young soft meat, and filled with fresh sweet water, such as is never to be tasted out of the cocoanut-land. Our plates were sections of green banana-leaf; our forks were our fingers. And when every one had fed, and felt happy and lazy, we all lay among the rocks above the fall, in the green shadow of the trees, and did nothing whatever till evening. Then we climbed back to the road, and drove home, six buggies full of laughing brown and white humanity, crowned and wreathed with green ferns, and singing the sweet, sad song of Samoa—“Good-bye, my flennie”—the song that was written by a native only a few years ago, and has already become famous over the whole Pacific. It is the farewell song of every island lover, the melody that soars above the melancholy rattling of the anchor chains on every outward-bound schooner that spreads her white wings upon the breast of the great South Seas. And for those who have known the moonlight nights of those enchanted shores, have smelt the frangipani flower, and listened to the soft singing girls in the endless, golden afternoons, and watched the sun go down upon an empty, sailless sea, behind the weird pandanus and drooping palms—the sweet song of the islands will ring in the heart for ever. In London rush and rain and gloom, in the dust and glitter of fevered Paris, in the dewy cold green woods of English country homes, the Samoan air will whisper, calling, calling, calling—back to the murmur of the palms, and’ the singing of the coral reef, and the purple tropic night once more.
“GOOD-BYE, MY FLENNIE.”
(Song, with Samoan words, English beginning to each verse.)
