The old man looked up, and something like a smile passed over his joyless face when he saw Helen Stanley bending over him.
"Ah!" he answered, "you must not hate Lucretius. I have had more pleasant hours with him than with any living person."
He rose, and came forward to examine her copy of Andrea del Sarto's portrait.
"Yours is better than mine," he said critically; "in fact, mine is a failure. I think I shall only get a small price for mine; indeed, I doubt whether I shall get sufficient to pay for my funeral."
"You speak dismally," she answered, smiling.
"I missed you yesterday," he continued, half-dreamily. "I left my work, and I wandered through the rooms, and I did not even read Lucretius. Something seemed to have gone out from my life; at first I thought it must be my favorite Raphael, or the Murillo; but it was neither the one nor the other, it was you. That was strange, wasn't it? But you know we get accustomed to anything, and perhaps I should have missed you less the second day, and by the end of a week I should not have missed you at all. Mercifully, we have in us the power of forgetting."
"I do not wish to plead for myself," she said, "but I do not believe that you or any one could really forget. That which outsiders call forgetfulness might be called by the better name of resignation."
"I don't care about talking anymore now," he said suddenly, and he went to his easel and worked silently at his picture; and Helen Stanley glanced at him, and thought she had never seen her old companion look so forlorn and desolate as he did to-day. He looked as if no gentle hand had ever been placed on him in kindliness and affection; and that seemed to her a terrible thing, for she was one of those prehistorically-minded persons who persist in believing that affection is as needful to human life as rain to flower-life. When first she came to work at the gallery, some twelve months ago, she had noticed this old man, and had wished for his companionship; she was herself lonely and sorrowful, and, although young, had to fight her own battles, and had learned something of the difficulties of fighting; and this had given her an experience beyond her years. She was not more than twenty-four years of age, but she looked rather older, and though she had beautiful eyes, full of meaning and kindness, her features were decidedly plain as well as unattractive. There were some in the Gallery who said among themselves jestingly, that Mr. Lindall had waited so many years before talking to any one, he might have chosen some one better worth the waiting for! But they soon got accustomed to seeing Helen Stanley and Mr. Lindall together, and they laughed less than before; and meanwhile the acquaintance ripened into a sort of friendship, half sulky on his part, and wholly kind on her part. He told her nothing about himself, and asked nothing about herself; for weeks he never even knew her name. Sometimes he did not speak at all, and the two friends would work silently side by side until it was time to go; and then he waited until she was ready, and walked with her across Trafalgar Square, where they parted and went their own ways.
But occasionally, when she least expected it, he would speak with glowing enthusiasm on art; then his eyes seemed to become bright, and his bent figure more erect, and his whole bearing proud and dignified. There were times, too, when he would speak on other subjects; on the morality of free thought, and on those who had died to indicate free thought; on Bruno, of blessed memory, on him, and scores of others too. He would speak of the different schools of philosophy; he would laugh at himself, and at all who, having given time and thought to the study of life's complicated problems, had not reached one step farther than the old world thinkers. Perhaps he would quote one of his favorite philosophers, and then suddenly relapse into silence, returning to his wonted abstraction, and to his indifference to his surroundings. Helen Stanley had learned to understand his ways, and to appreciate his mind, and, without intruding on him in any manner, had put herself gently into his life, as his quiet companion and his friend. No one, in her presence, dared to speak slightingly of the old man, to make fun of his tumble-down appearance, or of his worn-out silk hat with a crack in the side, or of his rag of a black tie, which, together with his overcoat, had "seen better days." Once she brought her needle and thread, and darned the torn sleeve during her lunch time; and though he never knew it, it was a satisfaction to her to have helped him.
To-day she noticed that he was painting badly, and that he seemed to take no interest in his work; but she went on busily with her own picture, and was so engrossed in it that she did not at first observe that he had packed up his brushes, and was preparing to go home.