CHAPTER XI.
The Music of Silence and of Drum.

There was a depth in Freda’s nature which she was sure no one would ever discover. A delicate fear occasionally separated her from people for an hour of tranquil meditation, in which she reached back through time and down through obstructions to regain touch with it herself. Sometimes she would paddle slowly along the shore near her home, or, beaching the canoe on the meagre shelf by the cliff’s feet, sit in passive enjoyment of the simple natural objects about her. She never took a book on these solitary excursions, because of a characteristic impulse toward actuality. The flat, round stones and pebbles, rendered smooth by years of the river’s polishing, may have been very uninteresting and inanimate things, indeed, but she loved the amazing variation in their color, all dim, composite shades of purples, greens and nameless greys. There was a silence, not encroached upon by the monotonous murmur of the persistent shore waters, and a solitude unaffected by distant freighters moving slowly in the midstream. She would stretch supinely to gaze at the nervous phantoms of reflected light that pendulated upon the cavernous, stratified face of the cliffs, or to watch a fisher-bird perched attentively on a bare, protruding root, far up at the grassy edge above.

Her ears, attuned to disregard the soft sounds that formed about her an atmospheric velvet, began at length to hear that wondrous roaring silence that ever widened and thrilled with the very mystery of all mysteries. And she knew, but could never have explained, what else she found then. It was strength and rare forgetfulness of self, and belief in a vast Something that could never henceforth be doubted.

This, however, constituted for Freda merely that ultimate spiritual experience, painfully unapproachable by friends, which it is the strange lot of all mortals to know less or more. Men and women cling to it, hunger for it, recover it or lose it, but for ever treasure it. The gratifications of a hundred vaunted pursuits dissipate into shadow-play before it. And yet it is what? So elusive, so stupendous, so readily forgotten. The trammelling events of a world constantly with us, march upon us, swoop us into their caravanserie, and we are no longer the living strength of that incomparable hour. We are but the dutiful perpetuators of age-old customs and follies.

Back to life, as it was, and with an impetuous relish, went Freda, on the night of the dance.

It was no disloyalty to Mauney. Her nature surged energetically on both sides of the line of average experience. If there were moments of spiritual joy, there were also moments of blinder joy, when music inspired the sinews and the blood warmed. Life was so large that it could not remember from hour to hour its past occupations. Eyes that loved soft, verdant light at the river’s edge, must love, too, the carnival display of garish crimsons and yellows; ears that had listened into the silence heard now the barbaric tune of drum and trumpet with enhanced sensation. This gaiety was not disloyalty to Mauney. It was merely life—her life—that craved the thrills. She thought, as she pirouetted with Courtney, that the delectable exercise was indeed a necessary training. It made her love Mauney more. Taught by its care-free spirit, she would be better able to cheer that dependable man, who lived a life curbed constantly to the line of average emotions. With a fresher attraction she would decoy him from the inevitable, but wearing, sombreness of his lonely existence.

And then, too, as she half-meditated, the while her feet were gliding in accurate rhythm with her partner, Mauney could not really blame her. He had stubbornly withheld the final declarations and demands that would have made her his fiancée. And he had left her alone for a whole week. Reason, noble reason he had, no doubt. But she would value love that broke past all reasons; and now, if he learned that she had gone dancing with Courtney, the discovery might rouse him, by jealousy or caution, to that pitch of emotion where she longed to behold him. And, if he disapproved, he had only to discipline, to satisfy her.

Many of Lockwood’s elite thought that Freda and Courtney made a striking pair, and said so. He was well known to have many attractions, some of them popular, some not. As a matrimonial prize he had been variously encouraged by several ambitious mothers; then given up, but never scorned. He enjoyed that kind of popularity which is inspired by wealth and ease, enhanced by a pleasant enough personality, but which is restrained by an envious bitterness seldom expressed. The wealthy are aware of such bitterness, but have learned to disregard it.