It is inconceivable that such a man as Stainton Moses—a hard-working parish priest and a respected schoolmaster—should deliberately have entered upon a course of trickery for the mere pleasure of mystifying a small circle of acquaintances. The whole course of his previous life, his apparently sincere religious feeling, all combine to contradict such a supposition. Neither is it credible that such a petty swindler would have carried out his deceptions to the end, and have left behind fresh problems, the elucidation of which his eyes could never behold.


CHAPTER XI

THE MATERIALISATION OF "GHOSTS"

If much of the physical phenomena just described be well within the scope of natural possibility, it is somewhat otherwise with the class of manifestations I shall now touch upon. It is one thing to exert consciously or unconsciously, as Home, Cook, Paladino, Moses and other mediums have done, in the presence of scientifically trained witnesses, unknown and supernormal muscular power. Table rapping, levitation, "apports," may all be genuine enough and accounted for in a manner which, if not wholly satisfying, is at least not unreasonable. But when those assisting at a séance actually behold with their eyes and touch with their hands, and even photograph with a camera, the materialised objects of the spirits with whom the medium is in communion, the pulse of the inquirer quickens. He is now indeed approaching the crucial problem, the crowning achievement of spiritualism. For although in a former chapter we have the testimony of people who saw "ghosts," these ghosts might, to my mind, clearly be the result of telepathy. They appear on special occasions at important and significant crises, but the claim of the spiritualistic medium is that he can casually, and on the demand of one of the circle, produce a visible, tangible figure of a deceased husband, wife, parent, or friend.

This materialisation is wholly a recent species of manifestation. One of the first to testify to having seen a materialised figure at a séance was the well-known S. C. Hall, who recognised during one of Home's séances the figure of his deceased sister. Other mediums repeated the feat, and shadowy forms and faces began to appear and move about during their dark séances. It is a suspicious fact that in some cases these forms, made visible by a faintly luminous vapour, were accompanied by an odour of phosphorus. Sceptics naturally took great advantage of the alleged circumstance. Soon, however, a new medium, Florence Cook, was rumoured to have produced materialised forms in a good light which baffled all the sceptics. Miss Cook claimed to be "controlled" by a spirit known under the name of "Katie."

We have this account from a writer who early attended to examine the mystery fairly:

"In a short time, however, Katie—as the familiar of Miss B. was termed—thought she would be able to 'materialise' herself so far as to present the whole form, if we arranged the corner cupboard so as to admit of her doing so. Accordingly we opened the door, and from it suspended a rug or two opening in the centre, after the fashion of a Bedouin Arab's tent; formed a semicircle; sat and sang Longfellow's 'Footsteps of Angels.' Therein occurs the passage, 'Then the forms of the departed enter at the open door.' And, lo and behold! though we had left Miss B. tied and sealed to her chair and clad in an ordinary black dress somewhat voluminous as to the skirts, a tall, female figure, draped classically in white, with bare arms and feet, did enter at the open door, or rather down the centre from between the two rugs, and stood statuelike before us, spoke a few words, and retired; after which we entered the Bedouin tent and found pretty Miss B. with her dress as before, knots and seals secure, and her boots on! This was Form No. 1, the first I had ever seen. It looked as material as myself; and on a subsequent occasion—for I have seen it several times—we took four very good photographic portraits of it by magnesium light. The difficulty I still felt, with the form as with the faces, was that it seemed so thoroughly material and flesh-and-blood-like."

It is not my intention to speak of the multitude of early materialisations. As Mr Podmore points out, at these manifestations practically no precautions were taken against trickery. There was nothing, so far as can be discovered, to throw any hindrance in the way of the medium, if she chose, impersonating the spirit by exhibiting a mask through the opening of the curtain or by dressing herself up and walking about the room. Nor were there any collateral circumstances to justify belief in the genuineness of the manifestations.

Nevertheless, Miss Cook's claims attracted the attention of Sir William Crookes. He attended several séances—one, once, at the house of Mr Luxmoor, when "Katie" was standing before him in the room. He had distinctly heard from behind the curtain the sobbing and moaning habitually made by Miss Cook during such séances. At another séance, held at his own house, 12th March 1874, "Katie," robed in white, came to the opening of the curtain and summoned him to the assistance of her medium. The man of science instantly obeyed the call, and found Miss Cook, attired in her ordinary black velvet dress, prone on the sofa. On another occasion he declares he saw two forms together in a good light; more than this, he actually procured a photograph of "Katie." But of this I will speak later, when I come to discuss spirit photography.