From that time forth he ordered his life as he planned his mathematics, clearly and simply, and once his career was settled, Charles Lutwidge Dodgson dropped from his young shoulders—he was only twenty—the mantle of over-seriousness, and looked about for young companionship. He found what he needed in the households of the masters and the tutors, whose homes looked out upon the Great Quadrangle. Here on sunny days the nurses brought the children for an airing; chubby little boys in long trousers and “roundabouts,” dainty little girls, with corkscrew ringlets and long pantalets and muslin “frocks” and poke bonnets, in the depths of which were hidden the rosebud faces. These were the favorites of the young Student, whose slim figure in cap and gown was often the center of an animated group of tiny girls; one on his lap, one perhaps on his shoulder, several at his knee, while he told them stories of the animals he knew, and drew funny little pictures on stray bits of paper. The “roundabouts” went to the wall: they were only boys!

His coming was always hailed with delight. Sometimes he would take them for a stroll, always full of wonder and interest to the children, for alone, with these chosen friends of his, his natural shyness left him, the sensitive mouth took smiling curves, the deep blue eyes were full of laughter, and he spun story after story for them in his quaint way, filling their little heads with odd fancies which would never have been there but for him. The “bunnies” held animated conversations with these small maids; every chirp and twitter of the birds grew to mean something to them. He took them across the meadow, and showed them the turtles swimming on the river bank; sometimes even—oh, treat of treats!—he took them in his boat, and pulling gently down the pretty rippling stream, told them stories of the shining fish they could see darting here and there in its depths, and of wonderful creatures they could not see, who would not show themselves while curious little girls were staring into the water.

These were hours of pure recreation for him. The small girls could not know what genuine pleasure they gave; the young undergraduates could never understand his lack of sympathy with their many sports. Athletics never appealed to him, even boating he enjoyed in his own mild way; a quiet pull up or down the river, a shady bank, an hour’s rest under the trees, a companion perhaps, generally some small girl, whose round-eyed interest inspired some remarkable tale—this was what he liked best. On other days a tramp of miles gave just the exercise he needed.

His busy day began at a quarter past six, with breakfast at seven, and chapel at eight. Then came the day’s lectures in Greek and Latin, mathematics, divinity, and the classics.

Meals were served to the undergraduates in the Hall. The men were divided into “messes” just as in military posts; each “mess” consisted of about six men, who were served at a small table. There were many such tables scattered over the Hall, a vast and ancient room, completed at the time of Wolsey’s fall, 1529, an interesting spot full of memorials of Henry VIII and Wolsey. The great west window with its two rows of shields, some with a Cardinal’s hat, others with the royal arms of Henry VIII, is most interesting, while the wainscoting, decorated with shields also arranged in orderly fashion, is very attractive. The Hall is filled with portraits of celebrities, from Henry VIII, Wolsey and Elizabeth to the many students, and famous deans, who have added luster to Christ Church.

In Charles Dodgson’s time, the meals were poorly served. The Hall was lighted at night with candles in brass candlesticks made to hold three lights each. The undergraduates were served on pewter plates, and the poor young fellows were in the hands of the cook and butler, and consequently were cheated up to their eyes. They did not complain in Charles Dodgson’s time, but after he graduated and became a master himself he no doubt took part in what was known as the “Bread and Butter” campaign, when the undergraduates rose up in a body and settled the cook and butler for all time, appointing a steward who could overlook the doings of those below in the kitchen.

This kitchen is a very wonderful old place, the first portion of Wolsey’s work to be completed, and so strongly was it built, and so well has it lasted, that it seems scarcely to have been touched by time. Of course there are some modern improvements, but the great ranges are still there, and the wide fireplace and spits worked by a “smoke jack.” Wolsey’s own gridiron hangs just above the fireplace, a large uncouth affair, fit for cooking the huge hunks of meat the Cardinal liked best.

We must not imagine that the years at Oxford were “all work and no play,” for Charles Dodgson’s many vacations were spent either at home, where his father made much of him, his brothers looked up to him, and his sisters petted and spoiled him, or on little trips of interest and amusement.

Once, during what is known as the “Long Vacation,” he visited London at the time of the Great Exhibition, and wrote a vivid letter of description to his sister Elizabeth. What seemed to interest him most was the vastness of everything he saw, the huge crystal fountain and the colossal statues on either side of the central aisle. One statue he particularly noticed. It was called the “Amazon and the Tiger,” and many of us have doubtless seen the picture, the strong, erect, girlish figure on horseback, and the tiger clinging to the horse, his teeth buried in his neck, the girl’s face full of terror, the horse rearing with fright and pain. He always liked anything that told a story, either in statues or in pictures, and in after years, when he became a skilled photographer, he was fond of taking his many girlfriends in costume, for somehow it always suggested a story.

He was also very fond of the theater, and he made many a trip to London to see a special play. Shakespeare was his delight, and “Henry VIII” was certainly the most appropriate play for a Student of Christ Church College to see. The great actor, Charles Kean, took the part of Cardinal Wolsey, and Mrs. Kean shone forth as poor Queen Katharine, the discarded wife of Henry VIII. What impressed him most was the vision of the sleeping queen, the troops of floating angels with palm branches in their hands, which they waved slowly over her, while shafts of light fell upon them from above. Then as the Queen awoke they vanished, and raising her arms she called “Spirits of peace, where are ye?” Poor Queen, no wonder her audience shed tears! Henry VIII was not an easy man to get along with, even in his sweetest mood!