When she prepared to go to bed, he bade her good night and left her, and went on deck; and Priss, in her narrow bunk in the cabin at the side of the ship, lay wide-eyed with many thoughts stirring in her small head. She was still awake when she heard them come down into the main cabin together, Joel and Mark. The walls were thin; she could hear their words, and she heard Mark ask: “Sure Priss is asleep? There are parts—not for the pretty ears of a bride, Joel.”
Priss was not asleep, but when Joel came to see, she closed her eyes, and lay as still as still, scarce breathing. Joel bent over her softly; and he touched her head, clumsily, with his hand, and patted it, and went away again, closing her door behind him. She heard him tell Mark: “Aye, she’s fast asleep.”
The brothers sat by Joel’s desk, in the cabin across the stern; and Mark, without preamble, told his story there. Priss, ten feet away, heard every word; and she lay huddled beneath the blankets, eyes staring upward into the darkness of her cabin; and as she listened, she shuddered and trembled and shrank at the terror and wonder and ugliness of the tale he told. No Desdemona ever listened with such half-caught breath....
VIII
“You’re blaming me,” said Mark, when he and Joel were puffing at their pipes, “for leaving my ship.”
Joel said slowly: “No. But I do not understand it.”
Mark laughed, a soft and throaty laugh. “You would not, Joel. You would not. For you never felt an overwhelming notion that you must dance in the moon upon the sand. You’ve never felt that, Joel; and—I have.”
“I’m not a hand for dancing,” said Joel.