Ah, the lonely city, with its crowds and its lonely lights. The lonely buildings busy with a thousand lonelinesses. People laughing and hurrying along, people eager-eyed for something; summer parks and streets white with snow, the city moon like a distant window, pretty gewgaws in the stores—these are a part of Fanny's story.

The judge wants to know. Fanny's eyes look up. A dog takes a kick like this, with eyes like this, large, dumb and brimming with pathos. The dog's master is a mysterious and inexplicable dispenser of joys and sorrows. His caresses and his beatings are alike mysterious; their reasons seldom to be discerned, never fully understood.

Sometimes in this court where the sinners are haled, where "poised and prim and particular, society stately sits," his honor has a moment of confusion. Eyes lift themselves to him, eyes dumb and brimming with pathos. Eyes stare out of sordid faces, evil faces, wasted faces and say something not admissible as evidence. Eyes say: "I don't know, I don't know. What is it all about?"

These are not to be confused with the eyes that plead shrewdly for mercy, with eyes that feign dramatic naïvetés and offer themselves like primping little penitents to his honor. His honor knows them fairly well. And understands them. They are eyes still bargaining with life.

But Fanny's eyes. Yes, the judge would like to know. A vagueness comes into his precise mind. He half-hears the familiar accusation that the policeman drones, a terribly matter-of-fact drone.

Another raid on a suspected flat. Routine, routine. Evil has its eternal root in the cities. A tireless Satan, bored with the monotony of his rôle; a tireless Justice, bored with the routine of tears and pleadings, lies and guilt.

There is no story in all this. Once his honor, walking home from a banquet, looked up and noticed the stars. Meaningless, immutable stars. There was nothing to be seen by looking at them. They were mysteries to be dismissed. Like the mystery of Fanny's eyes. Meaningless, immutable eyes. They do not bargain. Yet the world stares out of them. The face looks dumbly up at a judge.

No defense. The policeman's drone has ended and Fanny says nothing. This is difficult. Because his honor knows suddenly there is a defense. A monstrous defense. Since there are always two sides to everything. Yes, what is the other side? His honor would like to know. Tell it, Fanny. About the crowds, streets, buildings, lights, about the whirligig of loneliness, about the humpty-dumpty clutter of longings. And then explain about the summer parks and the white snow and the moon window in the sky. Throw in a poignantly ironical dissertation on life, on its uncharted aimlessness, and speak like Sherwood Anderson about the desires that stir in the heart. Speak like Remy de Gourmont and Dostoevsky and Stevie Crane, like Schopenhauer and Dreiser and Isaiah; speak like all the great questioners whose tongues have wagged and whose hearts have burned with questions. His honor will listen bewilderedly and, perhaps, only perhaps, understand for a moment the dumb pathos of your eyes.

As it is, you were found, as the copper who reads the newspapers puts it, in a suspected flat. A violation of section 2012 of the City Code. Thirty days in the Bastile, Fanny. Unless his honor is feeling good.

These eyes lifted to him will ask him questions on his way home from a banquet some night.