"Oh, do you, Erik?"
She pressed herself closer to him, and he felt her body like the heat of a flame avidly caress him.
"I don't want you any different, though," she whispered. "When I see other men I get horrified to think that you might become like them—if you didn't love me. Dead, creepy things. Oh, men are horrible. Talk to me, Erik."
"I can't. I love you. What else is there to say?" His voice trembled and her mouth pressed upon his.
"I don't deserve such happiness," she said. Tears from her eyes fell like warm wax on his shoulder. Her hands were fumbling distractedly over him.
"Erik," she gasped, "my Erik! I worship you."
The storm pounded through the night, leaping and bellowing in a halloo of sounds. Dorn tightened his arms mechanically about her warm flesh. His lips were murmuring tensely, dramatically, "I love you. I love you." And a sadness made a little warmth in his heart. He was alone in the night. His arms and words were engaged in an old make-believe. But this time he felt himself further away. There was no meaning....
He tried vainly to think of Anna, but an emptiness crowded even her name out of his mind. His hands were returning her caresses, mimicking the eager distraction of her own. His mind, removed as if belonging elsewhere, was thinking aimless little words.
There was a storm outside. Lightning.... The war was taking up too much space in the paper. Crowding out important local news. The Germans would probably get to Paris soon and put an end to it.... Why did Rachel run away? Should he ask her? Sometime. When he saw her. Ask her. Ask her.... His thought drifted into a blank. Then it said ... "The thing is meaningless. Meaningless. Houses, faces, streets. Nothing, nothing. There's nothing...."
His wife lay silent, quivering with an ecstasy. Her arms were hungrily choking him. Dorn closed his eyes as if to hide himself. His lips still murmured in a monotone, vague as the voice of a stranger in his ears—responses in an old ritual—"I love you, I love you! Oh, I love you so much!..."