Charlie was her latest catch. Later he would hold her hand, slip an arm around her, press her breasts gently and with a proper unconsciousness of what he was doing, and she would let him kiss her ... while music played somewhere ... preferably on a pier. Then she would murmur as he paused, out of breath, "Ah, what is life, Charlie?" And if instead of playing the game decently Charlie abandoned pretense and made an adventurous sortie, there would ensue the usual dénouement ... "Charlie ... Oh, how could you? I'm ... I'm so disappointed. I thought you were different and that love to you meant something deeper and finer than—just that." And she would stand before him, her body alive with a sexual ardor that seemed to find its satisfaction in the discomfiture of the man, in his apologetic stammers, in her own virtuous words; and reach its climax in the contrite embrace which usually followed and the words, "Forgive me, dearest. I didn't mean.... Oh, will you marry me?"

These were things in store for Charlie. But he must listen first. There were essential preliminaries—a routine of the chase. Her trimly shod foot crawled carefully against his ankle. There were really two types of men. Men who blushed when you touched their ankle under the table, and men who pretended not to blush. Charlie blushed with a soup-spoon at his lips. He glanced nervously at Rachel but she seemed breathlessly asleep with her eyes open—a paradoxical condition which baffled Charlie and caused him to withdraw disdainfully from further consideration of her.

Rachel, eating without hunger, was remembering an actress in vaudeville making a preliminary curtain announcement to her "Moments from Great Plays" ... "Lady Godiva accordingly rode na-aked through the streets of Coventry, but, howevah, retained her vuhtue...."

"Oh, but Charlie, you're not listening," explained Mary. "I was saying that chastity in woman is something man has insisted upon in order to show his capacity for waste. He likes the world to know that all his possessions are new and that he can command the purchase of new things because it shows his capacity for waste by which his standard of respectability is gauged in the eyes of his fellows...."

Charlie lent an ear to the garbled veblenisms and gave it up. The mutterings and verbal excitements of women in general were mysteries beyond Charlie's desire to comprehend. They had, for Charlie, nothing to do with the case. It was pleasing, though, to have her talk of chastity. Chastity had a connection with the case. It was closely related to unchastity. He nodded his head vaguely and focused his attention on questing for the foot under the table that had withdrawn itself. The long-haired waiter with the missing teeth was an annoyance. He turned and glowered at him.

"Don't you think so, Rachel?" Mary pursued.

A monkey chattering. Another monkey kicking at her toes under the table. A room full of monkeys and all the monkeys looking at her, talking to her, kicking her foot, inspired by the curious hallucination that she was a part of their monkey world. Rachel laughed and eyes turned to her. People were always startled by laughter that sounded so sudden. There must be preliminaries to laughter so as to get the atmosphere prepared for it.

"Rachel, I'm talking to you, if you please."

Mary, puckering her forehead very importantly, was informing her that Mary existed and was demanding proof of the fact. That was the secret of people. They didn't really exist to themselves until somebody recognized them and proved they were alive—by answering their questions. People lived only when somebody talked to them—anybody. The rest of the time they went along with nothing inside them except stomachs that grew hungry.

She answered Mary, "Oh, there are lots of things you don't know." And laughed, this time careful of not sounding too sudden. She meant there was something that lived behind hours, there was a dream world in which the words and faces of people were ridiculously non-existent. But Mary was a literal-minded monkey and thought she was referring to quotations from books superior to the ones she used.