§ 2. For the history of the literary kinds in antiquity see the works above quoted by Müller, Egger, Saintsbury, and the vast literature on Aristotle's Poetics. For comparison with Sanskrit poetics, Sylvain Levi, Le Théâtre indien, Paris, 1890, esp. pp. 11, 152. For mediæval poetry see esp. Gio. Mari, I trattati medievali di ritmica latina, Milan, 1899; and his recent edition of Poetica magistri Iohannis anglici, 1901.
For the history of the kinds under the Renaissance see principally Spingarn, op. cit. i. chs. 3-4; ii. ch. 2; iii. ch. 3. Also Menendez y Pelayo, Borinski, Saintsbury, passim.
Special works: on Pietro Aretino, De Sanctis, Storia della letteratura italiana, ii. pp. 122-144: A. Graf, Attraverso il cinquecento, Turin, 1888, pp. 87-167: K. Vossler, P. A.'s künstlerisches Bekenntniss, Heidelberg, 1901. On Guarini, V. Rossi, G. B. Guarini e il Pastor Fido, Turin, 1886, pp. 238-250. On Scaliger, Lintilhac, Un Coup d'État, cit. For the three unities, L. Morandi, Baretti contro Voltaire, 2nd ed., Città di Castello, 1884: Breitinger, Les Unités d'Aristote avant le Cid de Corneille, 2nd ed., Geneva-Basle, 1895: J. Ebner, Beitrag z. einer Geschichte d. dramatischen Einheiten in Italien, Munich, 1898. On the Spanish polemic concerning comedy see A. Morel Fatio on the defenders of comedy and of the Arte nuevo, in the Bulletin Hispanique of Bordeaux, vols. iii. and iv.: on the dramatic theories see Arnaud, Les Théories dramatiques au XVIIe siècle, étude sur la vie et les œuvres de l'abbé D'Aubignac, Paris, 1888: Paul Dupont, Un Poète philosophe au commencement du XVIIIe siècle, Houdar de la Motte, Paris, 1898: Alfredo Galletti, Le teorie drammatiche e la tragedia in Italia nel secolo XVIII, part i. 1700-1750, Cremona, 1901. On the history of French Poetics, F. Brunetière, L'Évolution des genres dans l'histoire de la littérature, Paris, 1890, vol. i. introd.: "L'évolution de la critique depuis la Renaissance jusqu'à nos jours." On that of English Poetics, Paul Hamelius, Die Kritik in d. engl. Literatur des XVII en u. XVIIIen Jahrh., Leipzig, 1897: also the well-filled chapter in Gayley-Scott, op. cit. pp. 382-422, the sketch of a book on the subject. For the romantic period see Alfred Michiels, Histoire des idées littéraires en France au XIXe siècle, et de leurs origines dans les siècles antérieures, 4th ed., Paris, 1863. For Italy see G. A. Borgese, op. cit.
§ 3. For the early history of the distinction and classification of the arts see the literature quoted above in relation to Lessing, and his Laokoon, with notes by Blümner. For subsequent history, H. Lotze, Geschichte, cit., bk. iii.: Max Schasler, Das System der Künste auf einem neuen, im Wesen der Kunst begründeten Gliederungsprincip, 2nd ed., Leipzig-Berlin, 1881, introd.: Ed. v. Hartmann, Deutsche Ästh. s. Kant, bk. ii. part ii. especially pp. 524-580: V. Basch, Essai sur l'esth. de Kant, pp. 483-496.
§ 4. For the doctrine of styles in antiquity see Volkmann, op. cit. pp. 532-566. The history of grammar and parts of speech is treated fully so far as Græco-Roman antiquity is concerned in Laur. Lersch, Die Sprachphilosophie der Alten, Bonn, 1838-1841: better still by Steinthal, Geschichte, cit. vol. ii. For Apollonius Dyscolus see Egger, Apollon Dyscole, Paris, 1854. For the history of grammar in the Middle Ages see Ch. Thurot, Extraits de divers manuscrits latins pour servir à l'histoire des doctrines grammaticales au moyen âge, Paris, 1869. For modern times, C. Trabalza, Storia della grammatica italiana, Milan, 1908. For the history of Criticism several books mentioned under § 2 may be consulted: in addition to these, B. Croce, Per la storia della critica e storiografia letteraria, containing Italian examples (Probl. d. est. pp. 419-448): for the theories of recent French criticism see Ém. Hennequin, La Critique scientifique, Paris, 1888, and Ernest Tissot, Les évolutions de la critique française, Paris, 1890. On the concept of "romanticism" see G. Muoni, Note per una poetica storica del romanticismo, Milan, 1906: cf. B. Croce, Le definizioni del romanticismo, in Critica, iv. pp. 241-245 (reprinted in Probl. di estetica, pp. 285-294).
INDEX
Abelard, [178]
Absolute, [162]
Absolutism in æsthetic, [122]
Accarisio, A., [358]
Action, [47]
Addison, J., [195], [203], [218]
Adherent beauty, [101]
Adone, [34], [441]
Advocatus diaboli, [56]
Aeneid, [463]
Aeschylus, [411]
Æsop, [6]
Æsthetic physics, [105], and see Vischer
Æsthetic progress, [138]
Ahriman, [78]
Ainslie, D., [484]
Alberti, L. B., [179], [450]
Alceo, [37]
Alcibiades, [170]
Alemanni, V., [482]
Alembert, d', [241]
Alexander, [29]
Algarotti, [359]
Alison, A., [261]
Allegorical meaning, [177]
Allegory, [34]
Allen, Grant, [390]
Alphabets, [100]
Alunno, F., [358]
Ambiguity, [71]
Ambrosi, L., [479]
Aminta, [37]
Anacharsis, [223]
Anacreon, [51]
Anagogic meaning, [177]
André, [205], [206], [268]
Angelis, de, [222] [223] n.
Animals, thought in, [23]
Anstruther-Thomson, C., [391] n.
Antisthenes, [463]
Apollinesque art, [412]
Apollonius Dyscolus, [464]
Apollonius of Tyana, [171]
Apparent feelings, [80]-[81]
Appearance, [17]
Applied knowledge, [55]
A priori synthesis, [41]
Arabic art, [138]
Archæology, [126]
Archimedes, [20]
Architecture, [101]
theory of, [113]
Aretino, P., [442]
Ariosto, L., [136], [191], [196], [363], [473]
Aristarchus, [464]
Aristophanes, [160], [411], [421], [436]
Aristotelians, [180]
Aristotle, [41], [43], [92], [161], [165], [168],
[169], [170], [173]. [17] 6, [178], [182],
[184], [186], [187], [193], [217], [218],
[220], [223], [227], [229]. [236], [238],
[257], [267], [315], [343], [421], [423],
[427], [429], [430], [436], [437], [438],
[464]
Aristoxenus, [450]
Armida, [102]
Arnaud, [488]
Arnauld, A., [210], [229]
Arnold, D. E., [218]
Arréat, L., [487]
Ars Poetica, [228], [257]
Art and intuition, [12]
and science, [25]
for art's sake, [52]
Arteaga, S., [241], [269]
Artificial beauty, [98]
Arts, the various:
classifications of, [114], [449] seqq.
limits of, [114], [449] seqq.
no separate æsthetics of, [114]
theories of, [113]
Ascetic view of art, [85]
Asiatic style, [463]
Association, æsthetic, [7], [104]
linguistic, [144]
Ast, F., [300], [345], [346]
Astrology of æsthetic, [110]
Atoms, [30]
Attic style, [463]
Attractive, the, [87]
Aubignac, d', [257], [439]
Augustine, St., [175], [181], [206], [238]
Augustus, [191]
Authority, [41]
Averroes, [178], [180], [437]
Azara, N. d', [268]
Babylonian art, [138]
Bach, J. S., [411]
Bacon, F., [41], [195], [203], [210], [227], [231], [232]
Bain, A., [390]
Balbo, [134]
Baldensperger, F., [485]
Balestrieri, P., [353]
Balzac, L., [204] n., [237]
Barante, de, [352]
Baretti, G., [446]
Barreda, F. de la, [443]
Bartoli, [358]
Baruffaldi, [199]
Basch, V., [456], [483], [484], [489]
Bastile, the, [29]
Batteux, C., [257], [258], [445], [449], [466], [470]
Baumgarten, A. A., [103], [212], [214], [215],
[217], [218], [231], [239]-[250], [252],
[262], [273]. [275], [289], [299], [315],
[417], [418], [433]
Beatrice, [365]
Beauty, physical, [97]
reluctance to use the term, [84]
theory of, in antiquity, [163] seqq.
in Middle Ages, [175]
in Renaissance, [179]-[181]
Beauzée, N. de, [254], [358]
Beccaria, C., [434]
Becker, C. F., [329]
Bede, [429]
Beethoven, n, [382], [411]
Bel, J. J., [205]
Bellezza, P., [485]
Belloni, A., [441] n.
"Below, æsthetic from," [109]
Bembo, P., [179], [241], [358]
Bénard, Ch., [359], [382], [479]
Benfey, T., [325] n., [482]
Beni, P., [230]
Benoist, C., [487]
Berchet, G., [356], [447]
Bergson, H., [416]-[417]
Berkeley, G., [461]
Bemhardi, A. F., [324]
Bertana, E., [481], [485]
Bettinelli, S., [205], [241], [242], [358], [446], [475]
Betussi, G., [179]
Biese, A., [408], [436], [459], [488]
Birth of Tragedy, The, [412]
Blair, H., [434], [463]
Blankenburg, von, [248], [478]
Blümner, [489]
Bobrik, H., [338]
Boccaccio, [57], [177]
Bode, W., [483]
Bodmer, J. J., [195], [199], [211]
Boeri, A., [480]
Boileau, N., [204], [211], [257], [343], [439], [445]
Bonacci, G., [353]
Bonald, L. G. A. de, [352]
Bonatelli, [486]
Bonghi, R., [435]
Bonstetten, C., [350]
Borgese, G. A., [482]
Borgia, [57]
Borinski, K., [184], [191], [192] n., [197] n.,
[211] n., [480], [481], [483]
Bos, J. B. du, [196], [197] n., [203], [218],
[236], [251], [445], [449]
Bosanquet, B., [418], [476]-[477]
Bossu, le, [183], [228], [257]
Bouhours, [190], [193], [199], [200], [208], [445]
Bouterweck, F., [354]
Braitmaier, F., [247] n., [481]
Bratranek, F. T., [342], [459]
Breitinger, J. J., [195], [211], [218], [231], [488]
Brenning, [479]
Brocense, [209]
Brognoligo, G., [482]
Brosses, C. de, [255]
Brunetière, F., [449], [481], [488]
Bruno, G., [442]
Bruyère, la, [192], [343]
Bryson, [173]
Bücher, C., [401]
Bucolics, [463]
Bülffinger, J. B., [211], [217], [230]
Bulk as a quality of art, [108]
Buonafede, A., [446]
Buonmattei, [358]
Burke, E., [259], [260], [287], [343]
Butcher, S. H., [479]
Byzantine art, [127], [138]
Cacophony, 150
Cæcilius, [429]
Cæsar, [29]
Calepio, [195], [199], [439]
Callology, [354]
Calvus, [191]
Camillo, G., [430]
Campanella, T., [181], [182], [231], [425], [426]
Cantoni, C., [483]
Cantù, C., [364]
Caprice, [119]
Carlyle, T., [352]
Carrière, M., [375], [379]
Cartaut de la Villatte, [196]
Cartesianism, [204] seqq., [210], [217], [228],
Casa, G. della, [241]
Castel, L. B., [453]
Castelvetro, L., [181], [182], [185], [186],
193, [224], [227], [236], [241], [358], [359], [439]
Castiglione, B., [179]
Catharsis, [161]
Catholicism, [63]
Cattani, F., [179]
Catullus, [191]
Causality, [307]
Caylus, [450]
Cecchi, G. M., [440]
Cecco d'Ascoli, [176]
Cennini, C., [450]
Cervantes, [136], [473]
Cesarotti, M., [235], [240], [241], [250], [255],
[359]-[434], [446]
Chaignet, A. E., [479], [483]
Chapelain, G., [441]
Characteristics, [206] n.
charakteires teis phraseoos, [463]
Charlemagne, [27]
Chassiron, P. M. de, [441]
Cheerful, the, [87]
Cherbuliez, [382]
Chiabrera, G., [201]
Chialvo, [484]
Chinese, [326], [330]
Chivalry, [136]
Choice of subject in art, [51]-[52]
Christian art, [291], [295], [355], [472]
Chrysippus, [464]
Cicero, [165], [167], [171], [175], [193], [218],
[249], [343], [423], [428], [430]
Cicognara, L., [353]
Cid, [196], [441]
Cigoli, L. Cardi da, [450] n.
Cimabue, [124]
Cintio, [440]
Classical art, [68], [70]-[71], [115], [138],
and see Goethe, Schiller
Classification, [38]
of arts, [114], [449] seqq.
of languages, [146]
Clerc, J. le (Clerico), [229]
Cocchia, E., [486]
Cohen, H., [483]
Colao Agata, D., [255]
Colecchi, O., [354], [483]
Coleridge, S. T., [352]
Collingwood, R. G., [482]
Colonne, D. de, [426]
Comic, the, [87], [91]
Comparetti, [463] n., [465] n., [479], [487]
Concept, the, [42]
æsthetic, [45]
its place in art, [2], [33], [122]
depends on intuition, [22]
Conceptualism, [41]
Condillac, S. B. de, [251], [254], [261], [353], [358]
Content, [15]
in art, [98]
æsthetic of, [313]
Conti, A., [204], [236]-[239], [445], [468]
Continuity, law of, [206]
Convention, [31]
linguistic, [144]
Conventional signs, [124]
Convivio, [177]
Cooking, [83]
Coquettish, the, [87]
Corax, [423]
Corneille, P., [439], [441]
Corniani, [241]
Corso, R., [358]
Corticelli, S., [358]
Cosmos, [342], [459]
Court de Gébelin, A., [255]
Cousin, V., [134], [351], [481]
Cratylus, [173], [228]
Creuzens, C. de, [284]
Critic, the, [120]
Criticism, historical, [128]
Critique of Judgment, [198] n., [275] seqq.
Critique of Pure Reason, [273], [278]-[279], [324]
Croce, B., [419] n., [481]-[488]
Cromaziano, A., [446] n.
Cromwell, [352] n.
Crousaz, J. P. de, [199], [205]
Cruel, the, [87]
Custom and Myth, [401] n.
Dacianus, [181]
Dacier, A., [257], [439]
Dacier, Mme., [198]
Danckelmann, E. von, [482]
Dante, [18], [53], [93], [117], [121], [124], [137],
[177], [178], [222], [252], [411], [440], [448]
Danzel, T. W., [244] n., [284] n., [289] n.,
[290] n., [299] n., [338]-[339], [481],
[482], [483], [484]
Decorative art, [36], [101]
Decorous, the, [87]
Deduction, [42]
Defect, error of, [156]
Defence of Poetry, [352] n.
Definition, [42]
Degeneracy, [401]
Degrees, relation of, [26]
of expression, [67]
of ugliness, [79]
Delfico, M., [353], [464]
Delminio, G. C., [430] n.
Demetrius Phalereus, [427]
Descartes, R., [204]-[211], [217] n.
Dessoir, M., [482], [487]
Deutinger, [334], [335], [379]
Diæresis, [150]
Diderot, D., [441], [445], [449], [461]
Diez, M., [406], [486]
Dignified, the, [87]
Diogenes Lærtius, [165] n., [173] n.
Dionysiac art, [412]
Dionysius the Areopagite, [175]
Direction of intention, [61]
Discrepancy of judgement, [119]
Disgusting, the, [87]
Diversity of Structure of Human Languages,
On the, [325]
Divina Commedia, [101], [367],
and see Dante
Dolce, L., [180], [191]
Donati, L., [480]
Donatus, [429]
Doncieux, [480]
Don Giovanni, [101]
Don Quixote, [34], [119]
Döring, [479]
Dreadful, the, [87]
Duns Scotus, Johannes, [178], [179], [207]
Dupont, P., [488]
Eberhard, J. A., [248]
Ebner, J., [488]
Eckardt, L., [334], [336]
Eckermann, [471]
Eclogue, [37]
Economic activity, [55] seqq.
Economics, [56]
Effatum, [174]
Egger, E., [479], [489]
Egoism, [56]
Egyptian art, [138]
Eighteenth century, [138]
eikos, [184]
Elegiac, the, [87]
Elementary forms of the beautiful, [108]
Elements of Criticism, [260], [343], and see Home
Elizabeth, Princess, [204] n.
Ellipse, the, [69], [71], [72]
Elocutio, [422]
Elsteb, E., [435] n.
Émeric-David, [350] n.
Emotion and thought, [22]
Emotions and the Will, The, [390]
Empedocles, [423]
End of art, the, [51], [85]
Engel, G., [455] n.
Enke, F., [487]
Enquiry into ... Ideas of Beauty and
Virtue, [207] n.
Epic, [36]
Epicurus, [173]
Epistle to the Pisones, [162]
Equicola, M., [179]
Eratosthenes, [161]
Eriugena, Johannes Scotus, [175]
ermeineia, [422]
Erwin, [295]
Eschenburg, J. J., [248]
Essay concerning the Human Understanding, [206] n.
Essay on Criticism, [198] n., [468]
Essay on Man, [274]
Ether, [30]
Ethics, [56], [121], [123]
Ethnopsychology, [331], [403]
Ettori, C., [192], [193], [195], [199], [202]
Euclid, [267]
Eupompus, [172]
Euripides, [411]
Evolution, [133]
Excess, error of, [156]
Experimental æsthetic, [109]
Expression and intuition, [8]
naturalistic sense of, [95]
Expression of the Emotions, [95]
Externalization, [119] seqq.
External language, [25]
Faber, [248]
Faggi, [485], [486]
Falkenheim, H., [483]
Fancy, [170], [295], [296]
Farinata degli Uberti, [93]
Farinelli, A., [192] n.
Faust, [137], [365]
Fechner, G. T., [394]-[397], [406]
Feeling, [18], [74] seqq.
Feijóo, B., [200], [442]
Ferrant, Mme., [236] n.
Fichte, J. G., [290], [315]
Ficino, M., [179]
Ficker, F., [354]
Fiedler, C., [414]-[416], [473], [474] n.
Fioretti, B., [441]
Firenzuola, A., [180]
Fischer, G. G., [459]
Fischer, K., [480], [483], [484]
Flamini, F., [480]
Flaubert, G., [368]
Flowers, language of, [100]
Fontenelle, B., [204]
Form, [6], [15], [98]
æsthetic of, [313]
Fomari, V., [383] n.
Fortunio, G. F., [358]
Foscolo, U., [353]
Fottano, F., [480]
Fouillée, A., [399]
Fowler, T., [481]
Fracastoro, G., [184], [237]
Franco, N., [180]
Frederick the Great, [103]
Frederick William, [102]
French Revolution, [27]
Fulgentius, [176]
Fulvio, [180]
Fusco, A., [480], [487]
Gæta, M., [230]
Galileo, [41], [231], [450]
Galletti, [488]
Gallo, N., [383], [486]
Galluppi, P., [354]
Gäng, F., [248]
Garcia, M. F., [178]
Gayley, F. M., [352] n., [478]
Gefallen, [77]
Gellert, C., [441]
Genius, [14], [61], [470]
Gentile, G., [272] n., [419] n., [480], [481], [485]
Geometrical figures, beauty of, [106]
Geometry, [30]
Georgics, [463]
Gérard, A., [198] n., [200] n., [261], [358]
Gerber, G., [454]
Gerusalemme Conquistata, [120]
Gerusalemme Liberata, [33], [34], [120]
Geschichte des Materialismus, [404]
Ghibellines, [367]
Giani, R., [485]
Giannini, A., [480]
Giannone, [134]
Gioberti, V., [354]-[356], [359]. [364], [383]
Giotto, [137], [394]
Godfrey, [224]
Gods, [294]-[295]
Goethe, [137], [235], [270]-[271], [272], [289],
[292], [328], [446] [448], [471], [483]
Goguet, A., [251]
Golden section, no, [180], [395]
Gorgias, [158], [163], [423]
Gottsched, J. C., [211], [214] n., [244] n., [446]
Graceful, the, [87]
Gracian, B., [190], [191], [197], [200] n., [432]
Græco-Roman æsthetic, [156] seqq.
Grammar, [145] seqq., [465]
Grave, the, [87]
Gravina, G. B., [195], [202], [228], [236], [359]. [444]
Greece, [29]
æsthetic in, [157]
Greek art, its alleged serenity, [127]
Griepenkerl, [338]
Grimm, F. M., [446]
Gröber, G., [435]
Groos, K., [408]-[410], [487]
Grosse, E., [397]-[398]
Grotius, H., [225]
Gruber, [478]
Grucker, E., [481], [483]
Grundmann, R., [483]
Guarini, G. B., [440], [442]
Guelfs, [367]
Guicciardini, [134]
Guizot, [134]
Guyau, J. M., [399], [400], [410]
Hamann, J. G., [251], [254], [256], [272]
Hamelius, P., [488]
Hamlet, [49]
Hanslick, E., [412]-[414]
Harris, [254]
Hartmann, E. von, [314], [323], [378], [383],
[409], [447]-[448], [454], [459]. [473] n., [484]
Haym, R., [482], [484]
Hearing, arts of, [115]
Hebenstreit, [478]
Hedonism, [75], [156]
æsthetic, [82] seqq.
Hedonistic-moralistic æsthetic, [156]
Hegel, G. W. F., [134], [270] [291] n.,
[297] seqq., [312], [314], [334], [338],
[341], [355], [359]-[364], [376], [379],
[383], [435], [459], [461], [478]
Hegelians, [370], [372]
Heine, [136], [386]
Heinsius, D., [439]
Helen, [171]
Helmholz, [391]
Hemsterhuis, F., [262]
Hennequin, E., [489]
Henriade, [37]
Herbart, J. F., [41], [307] seqq., [332], [342],
[344], [345], [346], [370], [376], [383],
[391], [406], [413], [453], [470]
Herder, J. G., [235], [250]-[254], [256], [272],
[274], [281], [284], [340], [403], [434],
[435], [452], [461]
Hermagoras, [424]
Hermann, C., [178], [417]
Hermann und Dorothee, [328], [448]
Hermogenes, [430]
Herwigh, [247]
Hetaira, art as, [160]
Hettner, H., [483]
Heydenreich, K. H., [249], [344], [452], [469]
Hiatus, [150]
Hieroglyphics, [100]
Hippias, [164]
Hippias Major, [164], [460]
Hirth, L., [270]
Historical materialism, [40]
History, [26]-[30]
History of art, [130]
intellectualism in, [39]
philosophy of, [39]-[40], [64], [231]
theory of, [39] seqq.Hobbes, T., [92], [195], [225]
Hogarth, W., [258], [260], [272]
Holland, [392]
Holstein-Augustenburg, Duke of, [288]
Home, H., [260], [272], [343], [434], [446],
[447], [460], [466]
Homer, [33], [157], [183], [222], [224], [228],
[239], [240], [241], [251], [252], [295], [366]
Homonym, [69]
Horace, [107], [162], [228], [257]
Horrible, the, [87]
Hostinsky, O., [484]
Huarte, [195]
Hugo, V., [352] n., [357], [449]
Human body, beauty of, [105]
Humanists, [43]
Humboldt, A. von, [342], [459]
Humboldt, W. von, [325] seqq., [334],
[402], [403], [421], [466] n., [472]
Hume, D., [241], [261], [467]
Humour, [87], [90], [344]
Hutcheson, F., [206], [207], [237], [247]
Iago, [57], [365]
Idea, the, [167]
Idealism, absolute, [41]
Idealization, [16], [108]
Ideas in art, [33]
Idyllic, the, [87]
Iliad, [115], [183], [367]
Image, [7]
Imagination, [170]
arts of, [115]
Imaginative absolute, the, [122]-[123]
creation, [171]
Imbriani, V., [486]
Imitation, [16], [33], [107]
Imposing, the, [87]
Independence, the, of art, [52]
Indifferent, the morally, [59]
Individual, concept of, [28]
Individuality in art, [67]
Indivisibility of the work of art, [20]
Induction, [42]
Inductive æsthetics, [109]
Industrial arts, [101]
Ingegno, [189] seqq.
Ingenuous, the, [87]
Intellectual intuition, [65]
Interest, [16], [117]
Interjection, [143]
Internal language, [25]
form of language, [328]
Interpretation, historical, [126]
Intuition, [1] seqq.
not dependent on concepts, [2]
not perception, [3]
independent of space and time, [4]
not sensation, [5]
and expression, [8]
and art, [12]
intellectual, [65]
Inversion, [69]
Irony, [291], [297]
Isocrates, [427]
Italian language, the, [150]
Italy, unification of, [27]
Jacobi, G., [247], [262], [482]
Jacquinet, P., [480]
Jagemann, F. G., [475]
Janosi, B., [477]
Je ne sais quoi, [200], [207]
Jerusalem delivered, [33], [34], [120]
Jesuits, [61]
Joan of Aragon, [180]
Jodi, F., [406], [407]
John of Salisbury, [177]
John the Scot. See Eriugena
Joret, C., [482]
Jouffroy, T., [351], [407]
Jourdain, Monsieur, [14]
Judgement, æsthetic, [43], [45], [118]
Julius and Raphæl, [284]
Juno,295
Jupiter, [171]
Kaimes, Lord.
See Home
Kaligone, [252]-[253], [284], [340] n.
kalon, [116]
Kannegiesser, [482]
Kant, I., [41], [92], [192], [272] seqq., [292],
[296], [298], [307], [311], [315]. [344],
[345], [354], [399], [400], [404], [406],
[426], [435], [452], [468], [470], [476]
Keckermann, B., [425]
Kedney, J. S., [484]
Kinds, [35]-[38]
Kirchmann, J. F. von, [404], [405]
Klopstock, [195]
Knight, W., [477]
Knowledge, its two forms, [1]
their relation, [22] seqq.
Koch, [324]-[325]
Kogel, F., [486]
Kohn, J., [484]
Koller, J., [247] n., [248], [475]
König, J. U., [199], [248], [470]
Körner, C., [288]
kosmos, [427]
Köstlin, C., [376], [462]
Kralik, [463]
Krantz, E., [481]
Krause, [313], [334], [379]
Labanca, B., [474] n.
Labels, [10]
Ladrone, C., [247]
Laharpe, [368]
Lamennais, [352]
Lancelot, C., [209]
Landscape, [98]
Lang, A., [101]
Lange, A. F., [404]
Lange, K., [408]
Language, [142] seqq., [172]
Laokoon, [451] n., [452] n.
Laprade, [459]
Latius, W., [229]
Laune, [344]
Laurenzano, Duke of, [230]
Law, [62]
Lazarus, M., [331], [375]
Lee, Venion, [391] n.
Leibniz, G. W., [207], [208], [209], [214],
[217], [230], [252], [306], [358]
lekton, [174]
Leo the Jew, [179]
Leonardo da Vinci, [10], [107], [125], [180], [450]
Leopardi, [13], [99], [107]
Lersch, L., [465] n., [489]
Lessing, G. E., [266]-[268], [272], [276], [344],
[367], [439], [440], [441], [449]-[452]
Letters on Æsthetic Education, [285]-[286]
Levêque, C., [381]-[382], [478]
Levi, S., [437], [488]
Lewes, G. H., [134], [446] n.
lexis, [412]
Liberation, æsthetic, [21]
Lichtenthal, [354]
Life in art, [67]
Limits of the arts, [114], [449] seqq.
of science, [63]
Line of beauty, the, [110], [258]
Linguistic, [142] seqq.
Lintilhac, E., [439], [480]
Lipps, T., [408], [410], [449] n.
Literal meaning, [177]
Livy, [134]
Locke, J., [206], [209], [210] n., [402]
Loewe, M. L., [325] n., [485]
Logic, i, [14], [41], [123], [172], [226]
Lomazzo, [258]
Lombroso, C., [401]
Longinus (pseudo), [343], [429]
Lope de Vega, [443]
Lotze, H., [374], [375], [379], [455]-[457], [483]
Louis XIV., [183]
Lucretius, [161], [182]
Luigini, [180]
Luther, M., [29]
Lycurgus, [223]
Lyric, [36]
Macaulay, G. B., [134], [367]
Machiavelli, N., [57], [134]
Maffei, [205], [236] n.
Maggi, V., [182], [437]
Majestic, the, [87]
Malaspina, [353]
Malebolge, [365]
Malebranche, [196], [204], [238], [239]
Mandricard, [181]
Manzoni, [364], [435], [447]
Marcianus Capella, [429]
Marco del Pino da Siena, no
Mari, G., [488]
Marini, C., [482]
Marino, G. B., [34], [201], [441], [443]
Marmontel, [434]
Maroncelli, P., [354]
Marsais, C. C. du, [254], [358], [433], [434]
Martinazzoli, A., [481]
Masci, F., [383]
Materialism, [64]
historical, [40]
Mathematical logic, [44]
Mathematics, [42]
Matragrin, [486]
Matter, [5]
Mayer, E. von, [484]
Mazzini, G., [357], [364]
Mazzoni, J., [440]
Mazzuchelli, [193] n.
Meaning, [104]
the four kinds of, [177]
Medea, [166]
Mediæval art, [138]
Meier, G. F., [242]-[250], [273], [425], [433], [449]
Meiners, [248]
Meis, A. C. de, [383], [486]
Meising, [379]
Melancholy, the, [87]
Memory, [96]
Ménardière, la, [183]
Mendelssohn, M., [246], [247], [344], [449]
Menendez y Pelayo, M., [478]
Mengs, A. R., [264]-[270], [272]
Mephistopheles, [365]
Merits, [79]
Metacritica, [284]
Metaphor, [69], [71], [72], [427]
Metaphysic, [64]
Metastasio, [446]
Meyer, H. G., [270], [481]
Meyers Konversazionslexicon, [371] n.
Michæl Angelo, [10], [101], [110], [180], [191],
[258], [411], [450]
Michelet, [385]
Michiels, A., [489]
Middle Ages, [41], [226]
Milizia, F., [268]
Milsand, J., [486]
Milton, J., [411]
mimeisis, [157]. [165]
Minerva, [209], [229], [358]
Minturno, [180], [443]
Mirandola, P. della, [179]
Mixed beauty, [100]
Mock heroic, the, [37]
Model language, [150]
Models in art, [107], [122]
Modern Painters, [383] n.
Modes of expression, [67]
Modifications of the beautiful, [339]
Molière, [14], [190] n., [258]
Mommsen, T., [134]
Monboddo, [255]
Montaigne, [431], [433]
Montani, F., [445], [468]
Montargis, F., [484]
Montesquieu, [193], [200], [241]
Moral meaning, [177]
Morals, art and, [51]-[52], [84]-[85], [116]-[117]
Morandi, L., [488]
Morato, P., [180]
Morel, [480]
Moritz, [248]
Motte, de la, [204], [240], [445]
Movement, arts of, [115]
Moving, the, [87]
Müller, E., [161] n., [479], [487]
Müller, K. W., [476]
Müller, Max, [402]
Muoni, G., [489]
Muratori, [191], [193]-[195], [198], [199],
200 n., [202], [228], [340], [359], [468], [470]
Murtoleide, [201]
Music, [208], [306]
theory of, [113]
Musical Beauty, On, [412]-[414]
Musterbegriffe, [308]
Mysticism, [65], [162]
Nahlowsky, [375]
Napoleon, [27], [446]
Narrative judgements, [41], [43]
Naturalism, [33], [64]
Natural signs, [124]
Nature, [74]
beauty of, [98], [105], [339] seqq., [459] seqq.
philosophy of, [64]
Naugerius, [184], [237]
Nauseating, the, [87]
Nef, W., [418]
Neo-Platonism, [162], [168], [175]
Neoptolemus of Paros, [162]
Neudecker, G., [373] n., [486]
Neumann, W., [483]
Newton, I., [206], [230], [239]
Nietzsche, F., [411]-[412]
Nifo, A., [180]
Nobili, [179]
Noble, the, [87]
Nominalism, [41]
Non-enunciative judgements, [43]
Non-moral man, the, [58]
Nordau, M., [300]-[301]
Nores, L. de, [440]
Normative sciences, [50]
Notation, musical, [100]
Noumenon, [31], [60]
Novalis, [291], [297]
Object, art as, [142]
Objective art, [68]
Observations on the Beautiful and Sublime, [280]
Odyssey, [183]
Oersted, [334]-[336], [379]
Opera, [455]
Oratory, theory of, [113]
Orestes, [166]
Organon, [41]
Oriental art, [115], [137]
Originality, [67]
Origin of art, [132]
of language, [144]
Origin of our Ideas of the Sublime and
Beautiful, Enquiry into the, [259]
Orlando Furioso, [191]
Ormuzd, [98]
Ornament, [68], [69], [422] seqq.
Ornithorhynchus, [105]
Orsi, [190] n., [193], [199] n., [230], [431], [445]
Ortloff, [426]
Ossian, [240], [250]
Othello, [365]
Paciolo, L., [180]
Padova, M. da, [450]
Pagano, M., [190], [242]
Pain, [74]
Painting, theory of, [113]
Paisiello, [339]
Palæography, [126]
Palermo, [193]
Palimpsests, [127]
Palladio, [450]
Pallavicino, Sforza, [193], [201], [230]
Paradise Lost, [115]
Paradisi, [241]
Parini, [353]
Paris, [29]
Parmenon, [166]
Parrhasius, [166], [171]
Parts of speech, [146]
Pascal, B., [195] n.
Pasquali, [353]
Passion, [21]
Past, fascination of the, [127]
Pastor Fido, [440], [442]
Pathetic, the, [87]
Patrizzi, F., [187], [227], [228], [236], [424], [431]
Paul, H., [402]. [410], [466] n.
Paul, St., [433]
Pedagogic theory, [85], [156], [160]
Pellegrini, M., [190], [197], [230], [343], [431]
Pellico, S., [357] n.
Perception, [3]
Perfetta Poesia. [103], [108] n., [200] n., [202] n.
Pericles, [138]
Peripeteia, [437]
Perizonio, I., [209]
Permissible, the, [59]
Perucci, A., [444]
Petent, P., [480]
Petrarch, [363]
Petrarchists, [180]
Phædrus, [163]
Phenomenology of the Spirit, [298]
Phenomenon, [31], [60]
Phidias, [167], [171], [249]
Philebus, QZ, [163]
Philography, [107], [179], [180]
Philology, [126]
Philosophy, [30]
of history, [39]-[40]
of nature, [64]
Philosophy of the Spirit, [298]
Philostratus, [170], [172]
Photography, [17]
phrasis, [422]
Physical beauty, [97]
laws of beauty, [108]
Physics, æsthetic, [105]
Physiognomy, [5]
Physiological æsthetics, [390]
Physiology, [14]
Pica, V., [387]
Piccolomini, [182], [186], [193], [437]
Pichtos. N. M., [484]
Pico della Mirandola, [179]
Pictet, [382]
Pinciano, A. L., [186]
Piquant, the, [87]
Pisones, Epistle to the, [162]
Plainer, E., [261]
Plato, [92], [157], [158], [160], [162], [163], [168],
[170], [173], [179]. [181], [184], [206],
[220], [221], [223], [227], [228], [291],
[302], [304], [306], [399], [421], [423], [436]
Platonists, [180]
Play, [83], [284], [321], [383], [388]
Pleasure, [74]
Pleonasm, [60], [71]
Pliny, [172] n.
Plotinus, [162],