All these are false or crude forms, in which is involved the doctrine of the right to individuality, and they have always constituted and still constitute its danger. This doctrine received its most energetic expression in the romantic and preromantic period, thanks above all to Schleiermacher, after it had been referred to in a rather vague way by Jacobi.[23]
"For some time" (writes Schleiermacher in the Monologues) "I too was satisfied that I had discovered Reason; and venerating equality with the Unique Being as that which is most lofty, I believed that there was one single measure for every case, that action should be in all of them the same, and that each one is distinguished from the other only in so far as it occupies a place of its own in space. I believed that humanity manifested itself differently only in the variety of external facts; but that the internal man, the individual, was not a being peculiarly (eigenthümlich) constructed, and that each was everywhere equal to the other." "But afterwards was revealed to me that which instantly raised me to a high state of exaltation: it became clear that every man must represent humanity in his own way, in an altogether individual combination of its elements, in order that it may manifest itself in every mode, and that everything most different may issue from its bosom and become effectual in the fulness of time and space.... Owing to this thought, I felt myself to be a work individually willed and therefore elected by the Divinity and such that it must enjoy a particular form and culture; and the free act to which this thought belongs has collected and intimately joined together the elements of human nature in a peculiar existence."
"While I now do whatever I do according to my spirit and sense, my fancy places before me as very clear proof of the internal determination, a thousand other modes, in which it would be possible to act otherwise without offending the laws of humanity: I rethink myself in a thousand different forms, in order to discover with the greater certainty that which is especially mine."[24]
Romantic and very modern theories.
But this peculiarity (Eigenthümlichkeit,) opportunely placed in relief by Schleiermacher, and a thought much loved by the Romantics (Herder, Jacobi, G. Humboldt, the Schlegels, etc.), is often seen to degenerate into individual caprice, even in those times, as may be observed in the sort of caricature which Frederick Schlegel made of the Fichtian I, become the individual I, and in the notorious Lucinde, to which the same Schleiermacher inconsiderately devoted a series of letters of comment and defence. The last offshoots of the Romantics were Max Stirner and Frederick Nietzsche: in the former the value of individuality becomes changed into an affirmation of spasmodic egotism; in the second there is a continuous mixture of true and false, of good and of bad individuality, as is natural in a writer whose Eigenthümlichkeit was rather that of a poet than of a thinker.
The concept of development and progress.
VI. We have discussed elsewhere Hegel's concept of development, and his thought as synthesis of opposites, which essentially belongs to the Hegelian philosophy and has been superficially treated and adopted by other philosophical schools, and this is not the place either to retrace their history or to demonstrate into what errors Hegel fell through abusing the truth that he had discovered. Among the errors of that philosophy (as for that matter of all contemporary philosophies and of those that have followed one another down to our own day), is to be noted the persistence of the concept of Nature as a mode of reality opposed to the mode of the Spirit, whence came a dualism that was not effectually surpassed, save in appearance. The doctrine of development by opposites is to be understood as accepted and maintained here, with the correction of the concept of nature, and also the doctrine of the synthesis of opposites, free from the use or abuse of it by Hegel for distinct concepts (and worse still, for empirical concepts). As for the concept of Providence, which is neither Fate nor Fortune, nor the work of a transcendent God, this, in its modern form, goes back to the Scienza nuova of Vico and is not to be confounded with the personal religious beliefs that Vico held and kept distinct from his philosophical concept as to immanent Providence. The same concept reappears in the Hegelian philosophy under the form of the Idea, or of the astuteness of Reason, which avails itself of men as its instruments and managers of business.[25] Finally, the conception of cosmic progress was extraneous to the oriental world, to the Græco-Roman, and to the Christian worlds, prevailing in turn in the latter that of decadence from an original state of perfection and of circles or returns. In its modern form it takes its origin from thinkers free of these religious views, who merge in the philosophies of becoming and of evolution. But the concept of progress destroyed itself in many of these rationalistic philosophies, the "disappearance of evil" being posited as possible (Spencer), and a definite state of perfection conceived (though transferred from the past into the future), that is to say a Reality that should be Reality, indeed, perfect Reality having ceased to be development, that is to say, itself.
[1] Kr. d. prakt. Vern. p. 119.
[2] Phil. d. Rechtes, §§ 4, 15.