“If this is a fair specimen of the work of the Marchesa Colombi, she is assuredly entitled to a high place among the novelists of the day. The scene of the story is laid in a little village in the north of Italy where lives the ‘Dottorino,’ as he is called, the village doctor, a gross, ignorant man, but with a gift for a certain sort of humor and graceful flattery which make him a welcome guest at the table of the rich Signor Pedrotti. The novel is chiefly concerned with the doctor’s son, Giovanni, whose infancy under the care of a stupid yet wholly devoted servant, La Matta, is portrayed with inimitable pathos and humor. As he grows up, Pedrotti becomes, in a sense, his patron. But the lad has met Pedrotti’s daughter, Rachel, and his love being reciprocated he determines to attain wealth and fame that he may win her father’s consent to their marriage. Pedrotti treats the proposal with utter contempt and shuts the door in his face. The youth pledges his love anew to Rachel, who promises to wait for him, and he then goes to Milan, where after a dreary struggle with poverty he becomes a celebrated advocate, rich as well as famous. But absence dims his ideal and the blandishments of a beautiful countess drive the image of Rachel for a time from his thoughts.
“He had started in live in extreme poverty but with a great love in his heart; and the goal he had set before his eyes was wealth and distinction, but still for the sake of love. Now, wealth and distinction were his—but the love he had lost on the way.
“The closing part of the story tells how, actuated by a sense of duty rather than of love, he goes back to the little village to claim the hand of the woman who has waited for him so long. The ending is written with remarkable power and stamps the book with a quality closely akin to greatness. All the characters are strongly individualized; the author’s humor is spontaneous and delightful; and on every page there is displayed a subtle knowledge of the human heart and of the fatal consequences of ignoble motives which, in spite of some unpleasant episodes, renders The Wane of an Ideal as wholesome morally as it is artistically effective and complete.”—The Literary World.
QUINTUS CLAUDIUS.—A Romance of Imperial Rome, by Ernst Eckstein, from the German by Clara Bell, in two vols. Paper, $1.00. Cloth, $1.75.
“We owe to Eckstein the brilliant romance of ‘Quintus Claudius,’ which Clara Bell has done well to translate for us, for it is worthy of place beside the Emperor of Ebers and the Aspasia of Hamerling. It is a story of Rome in the reign of Domitian, and the most noted characters of the time figure in its pages, which are a series of picturesque descriptions of Roman life and manners in the imperial city, and in those luxurious retreats at Baiae and elsewhere to which the wealthy Romans used to retreat from the heats of summer. It is full of stirring scenes in the streets, in the palaces, in the temples, and in the amphitheatre, and the actors therein represent every phase of Roman character, from the treacherous and cowardly Domitian and the vile Domitia down to the secret gatherings of the new sect and their exit from life in the blood-soaked sands of the arena, where they were torn in pieces by the beasts of the desert. The life and the manners of all classes at this period were never painted with a bolder pencil than by Eckstein in this masterly romance, which displays as much scholarship as invention.”—Mail and Express, N. Y.
“These neat volumes contain a story first published in German. It is written in that style which Ebers has cultivated so successfully. The place is Rome; the time, that of Domitian at the end of the first century. The very careful study of historical data, is evident from the notes at the foot of nearly every page. The author attempted the difficult task of presenting in a single story the whole life of Rome, the intrigues of that day which compassed the overthrow of Domitian, and the deep fervor and terrible trials of the Christians in the last of the general persecutions. The court, the army, the amphitheatre, the catacombs, the evil and the good of Roman manhood and womanhood—all are here. And the work is done with power and success. It is a book for every Christian and for every student, a book of lasting value, bringing more than one nation under obligation to its author.”—New Jerusalem Magazine, Boston, Mass.
“A new Romance of Ancient Times! The success of Ernst Eckstein’s new novel, ‘Quintus Claudius,’ which recently appeared in Vienna, may fairly be called phenomenal, critics and the public unite in praising the work.”—Grazer Morgenpost.
“‘Quintus Claudius’ is a finished work of art, capable of bearing any analysis, a literary production teeming with instruction and interest, full of plastic forms, and rich in the most dramatic changes of mood.”—Pester Lloyd.