Yet the felling of a great tree has something of the sublime in it. When the axe first falls on the trunk of a stately oak, laden with the green wealth of a century, or a pine whose aspiring peak might look down on a moderate church steeple, the contrast between the puny instrument and the gigantic result to be accomplished approaches the ridiculous. But as "the eagle towering in his pride of place was, by a mousing owl, hawked at and killed," so the leaf-crowned monarch of the wood has no small reason to quiver at the sight of a long-armed Yankee approaching his deep-rooted trunk with an awkward axe. One blow seems to accomplish nothing: not even a chip falls. But with another stroke comes a broad slice of the bark, leaving an ominous, gaping wound. Another pair of blows extends the gash, and when twenty such have fallen, behold a girdled tree. This would suffice to kill, and a melancholy death it is; but to fell is quite another thing…. Two deep incisions are made, yet the towering crown sits firm as ever. And now the destroyer pauses,—fetches breath,—wipes his beaded brow, takes a wary view of the bearings of the tree,—and then with a slow and watchful care recommences his work. The strokes fall doubtingly, and many a cautious glance is cast upward, for the whole immense mass now trembles, as if instinct with life, and conscious of approaching ruin. Another blow! it waves,—a groaning sound is heard—… yet another stroke is necessary. It is given with desperate force, and the tall peak leaves its place with an easy sailing motion accelerated every instant, till it crashes prone on the earth, sending far and wide its scattered branches, and letting in the sunlight upon the cool, damp, mossy earth, for the first time perhaps in half a century.
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From "Western Clearings."
=209.= THE BEE TREE.
One of the greatest temptations to our friend Silas, and to most of his class, is a bee hunt. Neither deer, nor 'coons, nor prairie hens, nor even bears, prove half as powerful enemies to anything like regular business, as do these little thrifty vagrants of the forest. The slightest hint of a bee tree will entice Silas Ashburn and his sons from the most profitable job of the season, even though the defection is sure to result in entire loss of the offered advantage; and if the hunt prove successful, the luscious spoil is generally too tempting to allow of any care for the future, so long as the "sweet'nin" can be persuaded to last. "It costs nothing," will poor Mrs. Ashburn observe; "let 'em enjoy it. It isn't often we have such good luck."
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=Margaret Fuller Ossoli, 1810-1850.= (Manual, p. 502.)
From "At Home and Abroad."
=210.= CHARACTER OF CARLYLE.
Accustomed to the infinite wit and exhuberant richness of his writings, his talk is still an amazement and a splendor scarcely to be faced with steady eyes. He does not converse,—only harangues. It is the usual misfortune of such marked men (happily not one invariable or inevitable) that they cannot allow other minds room to breathe and show themselves in their atmosphere, and thus miss the refreshment and instruction which the greatest never cease to need from the experience of the humblest. Carlyle allows no one a chance, but bears down all opposition, not only by his wit and onset of words, resistless in their sharpness as so many bayonets, but by actual physical superiority, raising his voice and rushing on his opponent with a torrent of sound. This is not the least from unwillingness to allow freedom to others; on the contrary, no man would more enjoy a manly resistance to his thought; but it is the impulse of a mind accustomed to follow out its own impulse as the hawk its prey, and which knows not how to stop in the chase. Carlyle, indeed, is arrogant and overbearing, but in his arrogance there is no littleness or self-love: it is the heroic arrogance of some old Scandinavian conqueror,—it is his nature, and the untamable impulse that has given him power to crush the dragons. You do not love him, perhaps, nor revere, and perhaps, also, he would only laugh at you if you did; but you like him heartily, and like to see him the powerful smith, the Siegfried, melting all the old iron, in his furnace till it glows to a sunset red, and burns you if you senselessly go too near. He seemed to me quite isolated, lonely as the desert; yet never was man more fitted to prize a man, could he find one to match his mood. He finds such, but only in the past. He sings rather than talks. He pours upon you a kind of satirical, heretical, critical poem, with regular cadences, and generally catching up near the beginning some singular epithet, which serves as a refrain when his song is full, or with which as with a knitting-needle he catches up the stitches, if he has chanced now and then to let fall a row. For the higher kinds of poetry he has no sense, and his talk on that subject is delightfully and gorgeously absurd; he sometimes stops a minute to laugh at it himself, then begins anew with fresh vigor; for all the spirits he is driving before him seem to him as Fata Morgana; ugly masks in fact, if he can but make them turn about, but he laughs that they seem to others such dainty Ariels. He puts out his chin sometimes till it looks like the beak of a bird, and his eyes flash bright instinctive meanings like Jove's bird; yet he is not calm and grand enough for the eagle: he is more like the falcon, and yet not of gentle blood enough for that either. He is not exactly like anything but himself, and therefore you cannot see him without the most hearty refreshment and goodwill, for he is original, rich, and strong enough to afford a thousand faults; one expects some wild land in a rich kingdom. His talk, like his books, is full of pictures, his critical strokes masterly; allow for his point of view, and his survey is admirable. He is a large subject; I cannot speak more nor wiselier of him now, nor needs it; his works are true, to blame and praise him, the Siegfried of England, great and powerful, if not quite invulnerable, and of a might rather to destroy evil than legislate for good. At all events, he seems to be what Destiny intended, and represents fully a certain side; so we make no remonstrance as to his being and proceeding for himself, though we sometimes must for us.