Diagram 1.—Cue-ball centre, object-ball ½ left; stroke, “ordinary.” Cue-ball kisses direct onto ball 2.
Diagram 2.—Cue-ball ½ below, ⅝ left, object-ball ¾ right; stroke, ½ in excess of “medium.” Cue-ball takes cushion at a, and thence to b, where carom-ball meets it, having been forced directly down the cushion by kiss from object-ball. The balls are in such position here that a fine stroke is impossible, and where a massé is exceedingly difficult.
PLATE LI.
“KISS” AND “HUG” CUSHION STROKES.
In illustration of several neat caroms through the “kiss” and follow “hug” cushion strokes, from comparatively safe positions.
Diagram 1.—Cue-ball ⅝ left, ¼ above, object-ball full; stroke, “slow.” Carom-ball, kissed by object-ball, cushions at b, returns to a, where cue-ball meets it and effects carom.
Diagram 2.—Cue-ball ½ above, ½ left, object-ball ⅞ left; stroke, “ordinary.” Cue-ball cushions c, d, e, effecting carom on ball 2. Object-ball doubles table, takes cushion at a, resting at b. This is termed a “following cushion hug stroke.”
Diagram 3.—Cue-ball ⅝ left, ⅛ above, object-ball 15
16 right; stroke, ½ in excess of “slow.” The cue-ball taking a curved line on object-ball, forcing it out from the cushion that it may strike the carom-ball on right of centre, thus making room for cue-ball, the object-ball going to right. Carom-ball cushions at b, meeting cue-ball on rebound at a, where carom is effected.
Diagram 4.—Cue-ball ½ above, ¼ right, object-ball ⅛ left. Kissing carom-ball to cushion at b, the cue-ball following and meeting carom-ball at a, where carom is effected.