Before 1860 a situation that arose more than once took from Negroes the real credit for inventions. If a slave made an invention he was not permitted to take out a patent, for no slave could make a contract. At the same time the slave's master could not take out a patent for him, for the Government would not recognize the slave as having the legal right to make the assignment to his master. It is certain that Negroes, who did most of the mechanical work in the South before the Civil War, made more than one suggestion for the improvement of machinery. We have already referred to the strong claim put forth by a member of the race for the real credit of the cotton-gin. The honor of being the first Negro to be granted a patent belongs to Henry Blair, of Maryland, who in 1834 received official protection for a corn harvester.
Throughout the century there were numerous attempts at poetical composition, and several booklets were published. Perhaps the most promising was George Horton's The Hope of Liberty, which appeared in 1829. Unfortunately, Horton could not get the encouragement that he needed and in course of time settled down to the life of a janitor at the University of North Carolina.[194] Six years before the war Frances Ellen Watkins (later Mrs. Harper) struck the popular note by readings from her Miscellaneous Poems, which ran through several editions. About the same time William Wells Brown was prominent, though he also worked for several years after the war. He was a man of decided talent and had traveled considerably. He wrote several books dealing with Negro history and biography; and he also treated racial subjects in a novel, Clotel, and in a drama, The Escape. The latter suffers from an excess of moralizing, but several times it flashes out with the quality of genuine drama, especially when it deals with the jealousy of a mistress for a favorite slave and the escape of the latter with her husband. In 1841 the first Negro magazine began to appear, this being issued by the A.M.E. Church. There were numerous autobiographies, that of Frederick Douglass, first appearing in 1845, running through edition after edition. On the stage there was the astonishing success of Ira Aldridge, a tragedian who in his earlier years went to Europe, where he had the advantage of association with Edmund Kean. About 1857 he was commonly regarded as one of the two or three greatest actors in the world. He became a member of several of the continental academies of arts and science, and received many decorations of crosses and medals, the Emperors of Russia and Austria and the King of Prussia being among those who honored him. In the great field of music there was much excellent work both in composition and in the performance on different instruments. Among the free people of color in Louisiana there were several distinguished musicians, some of whom removed to Europe for the sake of greater freedom.[195] The highest individual achievement was that of Elizabeth Taylor Greenfield, of Philadelphia. This singer was of the very first rank. Her voice was of remarkable sweetness and had a compass of twenty-seven notes. She sang before many distinguished audiences in both Europe and America and was frequently compared with Jenny Lind, then at the height of her fame.
It is thus evident that honorable achievement on the part of Negroes and general advance in social welfare by no means began with the Emancipation Proclamation. In 1860 eight-ninths of the members of the race were still slaves, but in the face of every possible handicap the one-ninth that was free had entered practically every great field of human endeavor. Many were respected citizens in their communities, and a few had even laid the foundations of wealth. While there was as yet no book of unquestioned genius or scholarship, there was considerable intellectual activity, and only time and a little more freedom from economic pressure were needed for the production of works of the first order of merit.
Footnote 177: [(return)]
This chapter follows closely upon Chapter III, Section 5, and is largely complementary to Chapter VIII.
Footnote 178: [(return)]
Nell: Colored Patriots of the American Revolution, 356.
Footnote 179: [(return)]
Nell, III.
Footnote 180: [(return)]
Senate document 63 of 1842.
Footnote 181: [(return)]
McMaster, VIII, 74.
Footnote 182: [(return)]
Clarke: Condition of the Free Colored People of the United States.
Footnote 183: [(return)]
Nell, 285.