WITH THANKS FOR SEVERE TEACHING
AND STIMULATING CRITICISM
CONTENTS
| CHAP. | PAGE |
| Preface | [xi] |
| I. | The Negro Genius | [3] |
| II. | Phillis Wheatley | [10] |
| III. | Paul Laurence Dunbar | [33] |
| IV. | Charles W. Chesnutt | [45] |
| V. | W. E. Burghardt Du Bois | [50] |
| VI. | William Stanley Braithwaite | [56] |
| VII. | Other Writers | [65] |
| VIII. | Orators.—Douglass and Washington | [83] |
| IX. | The Stage | [97] |
| X. | Painters.—Henry O. Tanner | [103] |
| XI. | Sculptors.—Meta Warrick Fuller | [112] |
| XII. | Music | [125] |
| XIII. | General Progress, 1918-1921 | [142] |
| XIV. | Charles S. Gilpin | [156] |
| Appendix: |
| 1. The Negro in American Fiction | [165] |
| 2. Study of Bibliography | [180] |
ILLUSTRATIONS
| Charles S. Gilpin as "The Emperor Jones" | [Frontispiece] |
| Phillis Wheatley | Facing p. | [10] |
| Paul Laurence Dunbar | " | [34] |
| Charles W. Chesnutt | " | [46] |
| W. E. Burghardt Du Bois | " | [50] |
| William Stanley Braithwaite | " | [56] |
| Henry O. Tanner | " | [104] |
| Meta Warrick Fuller | " | [112] |
| Harry T. Burleigh | " | [130] |
PREFACE