The grand entrance to the Cathedral is in the middle of the front, being a semi-circular arched door, with two clustered Tuscan columns on either side. This entrance is flanked by two smaller doors, similar to the principal one.

The second story of the front has the same general appearance, as to the number of columns &c. as the lower one, but is of the Roman Doric order. Above, and corresponding to the main entrance, is a circular window, with niches on either side, above the flanking doors below. On the apex of the pediment of this story rises the chief turret, being in the Tuscan style, and in two parts—the lower being square, about twenty feet in height, with circular apertures on each side; the upper hexagonal, having a belfry, with apertures at the sides for letting out the sound, flanked by antes. The proportions of the order are not observed in this belfry, which was erected about 1824, by Le Riche.

The Cathedral has a tenure, to speak in legal phrase, of every Saturday evening offering masses for the soul of its founder, Don Andre. The requirement is faithfully observed, for as the day returns, at set of sun, the mournful sound of the tolling bell recalls the memory of the departed. This building is almost inseparably connected, in the minds of the old residents, with the memory of the venerable Pere Antonio de Sedella, curate of the parish for nearly fifty years. This excellent old man, adored for his universal benevolence, came to Louisiana, then a province, in 1779, and is supposed to have performed nearly one half of the marriage and funeral ceremonies of its inhabitants, until the period of his death, at the ripe age of nearly ninety years, in 1837. This venerated relic of by gone days lies buried at the foot of the altar.

ST. PATRICK'S CHURCH

Is situated in Camp street, near Lafayette square. The design is a triumph worthy of the genius of Gothic architecture, whether the dimensions, or the splendor of the structure be considered.

The measurement is 93 feet by 164 on the ground; and from the side walk to the summit of the tower, 190. The style is taken from the famous York Minster Cathedral, and executed agreeably to the designs of Messrs. Dakin & Dakin, which were adopted by the trustees of the church. It surpasses every attempt at a similar order on this side of the Atlantic, and when completed, may proudly challenge comparison with any modern parochial edifice in Europe. It cost about $100,000.

ST. AUGUSTINE CHURCH

This structure, erected in 1841, stands on St. Claude street, corner of Bayou road. It is about 50 feet front by 90 deep. The architect, Mr. Depouilly, has displayed an excellent taste in its construction. The style is of a mixed order, but extremely neat—and in such good keeping, that the interior has the appearance of being much smaller than it actually measures. The decorations are worthy of the sacredness of the place. The colored glass of the windows throws a beautiful mellowed light across the aisles, producing a chastened effect suited to the solemnity of the place. Immediately over the altar is a full length painting of the tutelar saint, which is executed with the bold hand of a master. At the right of this is the Virgin Mary, little inferior to the first, but finished with much greater delicacy of touch. Our Saviour is conspicuously represented in the ceiling, over the centre—around which, on the gallery below, and between the windows, are portraits of the saints, arranged in the panel-work. Take this church altogether, it is one of the neatest houses of devotion in this city.

ST. ANTOINE'S, OR THE MORTUARY CHAPEL