In the centre of this platform, or terrace, was a foundation work, twelve feet high, and in ruins; the four broken sides measuring about fifty feet each, upon which is built a square, of a pyramidical form, fifty feet high, divided off into rooms, but inaccessible, or nearly so, owing to the tottering condition of the walls. I could discover, however, that the inside walls were colored, and the wood that supported and connected the ceilings was in good preservation. In the centre of this square is the Dome, a structure of beautiful proportions, though partially in ruins. It rests upon a finished foundation, the interior of which contains three conic structures, one within the other, a space of six feet intervening; each cone communicating with the others by door-ways, the inner one forming the shaft. At the height of about ten feet, the cones are united by means of transoms of zuporte. Around these cones are evidences of spiral stairs, leading to the summit.
There is a plan and description published of a “Greenan Temple,” which bears an analogy to this structure. It was erected upon a spot which, in former days, was consecrated to the worship of the sun. The name Greenan signifies the place of the sun. This singular edifice is found in the county of Donegal, which rises from the southern shore of Lough Swilly, Ireland, and is represented to be a most lovely place.[[7]]
Situated about three rods south-west of the ruins of the Dome, are those of the House of the Caciques. I cut my way through the thick growth of small wood to this sublime pile, and by the aid of my compass was enabled to reach the east front of the building. Here I felled the trees that hid it, and the whole front was opened to my view, presenting the most strange and incomprehensible pile of architecture that my eyes ever beheld—elaborate, elegant, stupendous, yet belonging to no order now known to us. The front of this wonderful edifice measures thirty-two feet, and its height twenty, extending to the main building fifty feet. Over the door-way, which favors the Egyptian style of architecture, is a heavy lintel of stone, containing two double rows of hieroglyphics, with a sculptured ornament intervening. Above these are the remains of hooks carved in stone, with raised lines of drapery running through them; which, apparently, have been broken off by the falling of the heavy finishing from the top of the building; over which, surrounded by a variety of chaste and beautifully executed borders, encircled within a wreath, is a female figure in a sitting posture, in basso-relievo, having a head-dress of feathers, cords, and tassels, and the neck ornamented. The angles of this building are tastefully curved. The ornaments continue around the sides, which are divided into two compartments, different in their arrangement, though not in style. Attached to the angles are large projecting hooks, skilfully worked, and perfect rosettes and stars, with spears reversed, are put together with the utmost precision.
The ornaments are composed of small square blocks of stone, cut to the depth of about one to one and a half inches, apparently with the most delicate instruments, and inserted by a shaft in the wall. The wall is made of large and uniformly square blocks of limestone, set in a mortar which appears to be as durable as the stone itself. In the ornamental borders of this building I could discover but little analogy with those known to me. The most striking were those of the cornice and entablature, chevron and the cable moulding, which are characteristic of the Norman architecture.
THE HOUSE OF THE CACIQUES.
CHI-CHEN RUINS.
The sides have three door-ways, each opening into small apartments, which are finished with smooth square blocks of stone; the floors of the same material, but have been covered with cement, which is now broken. The apartments are small, owing to the massive walls enclosing them, and the acute-angled arch, forming the ceiling. The working and laying of the stone are as perfect as they could have been under the directions of a modern architect.
Contiguous to this front are two irregular buildings, as represented in the plan. The one on the right, situated some twenty-five feet from it, (about two feet off the right line,) has a front of about thirty-five feet, its sides ten wide, and its height twenty feet, containing one room similar in its finish to those before described. The front of this building is elaborately sculptured with rosettes and borders, and ornamental lines; the rear is formed of finely cut stone, now much broken. Near by are numerous heaps of hewn and broken stones, sculptured work and pillars.
The other building on the left, is about eight feet from the principal front, measuring twenty-two feet in length, thirteen in width, and thirty-six in height. The top is quite broken, and has the appearance of having been much higher. The agave Americana was growing thriftily upon its level roof. On all sides of this building are carved figures, broken images, in sitting postures; rosettes and ornamental borders, laid off in compartments; each compartment having three carved hooks on each side and angle. This building contains but one room, similar to that on the right. A soil has collected on the tops or roofs of these structures to the depth of three or four feet, in which trees and other vegetation are flourishing.