The meeting voted "That it is the opinion of the town that, if the other colonies come into a joint resolution to stop all importation from, and exportation to, Great Britain, and every part of the East Indies, till the act be repealed, the same will prove the salvation of North America and her liberties; and that the impolicy, injustice, inhumanity, and cruelty of the act exceed all our powers of expression; we, therefore, leave it to the just censure of others, and appeal to God and the world." Paul Revere, an artist and mechanic of Boston, and one of the most active patriots, was sent to New York and Philadelphia to invoke sympathy and co-operation. A vast number of copies of the act, printed with heavy black lines around it, and some of them having the sepulchral device of skull and cross-bones rudely engraved as a head-piece, were scattered over the country, and cried in cities and villages as the "Barbarous, cruel, bloody, and inhuman murder!" ** The whole country was inflamed, and every where the most lively sympathy for the people of Boston was awakened. Orators at public gatherings, ministers in the pulpits, and the newspaper press throughout the land, denounced the oppression laid upon Boston as a type of what was in store for the whole country Some of the newspapers placed at their head the significant device used during the Stamp Act excitement, a serpent cut in ten pieces, with the inscription "Join or die! or "Unite or die!"*** The cause of Boston became the

* This is a substantial stone building, situated upon Beacon Street, fronting the Common. It was erected by Thomas Hancock, an uncle of Governor Hancock, in 1737. The present proprietor is a nephew of the governor.

** The engraving is a fac-simile, one fourth the size of the original, of a device upon one of these papers. Over the skull is a rude resemblance of a crown, and beneath the bones that of the Cup of Liberty, denoting that all was death and destruction between the crown and liberty. This device is supposed to be the work of Paul Revere, who engraved the pictures of the naval investment of Boston in 1768, and the Boston Massacre in 1770. Revere was a very ingenious man, an active patriot, and, as grand master of the Masonic fraternity in Massachusetts, had extensive influence. Ho was a co-worker with Samuel Adams, Joseph Warren, and other compatriots in setting the ball of the Revolution in motion.

*** The cut upon the next page is a fac-simile of one of those illustrations. I copied it from the Pennsylvania Journal, 1774, where it appeared for nearly a year, or until the colonics were fairly united by a Continental Congress. The loyal papers loudly condemned the use of the device. A writer in Rivington's Royal Gazette, * who called it a "scandalous and saucy reflection," was answered as follows by a correspondent of the Journal:

*** "To the Author of the Lines in Mr. Rivington's Paper, on the Snake depicted in some of the American Newspapers.

"That New England's abused, and by sons of sedition,
Is granted without either prayer or petition;
And that is a scandalous, saucy reflection,
That merits the soundest, severest correction,'
Is readily granted. 'How came it to pass?'
Because she is pester'd by snakes in the grass,
Who, by lying and cringing, and such like pretensions,
Get places once honor'd disgraced with pensions.
And you, Mr. Pensioner, instead of repentance
(If I don't mistake you), have wrote your own sentence;
For by such snakes as this New England's abused,
And the head of the serpents, 'you know, must be bruised."

*** "New Jersey." Rivington was the "king's printer" in New York city. His office was at the southeast corner of Pearl and Wall Streets. He had the entire confidence of the British authorities, and held the "rebels" in great contempt. He was a caustic writer, and his remarks were often remembered with bitterness for years. The following anecdote is illustrative of this fact:

*** Among those who cherished very hostile feelings toward Rivington was that dare-devil, General Ethan Allen, of Vermont, who swore he would "lick Rivington the very first opportunity he had." Rivington himself, aware of his intentions, gave a most humorous description of his interview with Allen, showing, at the same time, his exceeding cleverness and tact, which may even at this day be profitable to his editorial brethren. Rivington was a fine, portly-looking man, dressed in the extreme of fashion—curled and powdered hair, claret-colored coat, scarlet waistcoat trimmed with gold lace, buckskin breeches, and top boots—and kept the very best society.