Note 4. Luca Martini was a member of the best literary society in his days, and the author of some famous burlesque pieces.
LXXXVII
DURING this while I had sent my devoted comrade Felice back to Rome, to look after our business there. When I could raise my head a little from the bolster, which was at the end of fifteen days, although I was unable to walk upon my feet, I had myself carried to the palace of the Medici, and placed upon the little upper terrace. There they seated me to wait until the Duke went by. Many of my friends at court came up to greet me, and expressed surprise that I had undergone the inconvenience of being carried in that way, while so shattered by illness; they said that I ought to have waited till I was well, and then to have visited the Duke. A crowd of them collected, all looking at me as a sort of miracle; not merely because they had heard that I was dead, but far more because I had the look of a dead man. Then publicly, before them all, I said how some wicked scoundrel had told my lord the Duke that I had bragged I meant to be the first to scale his Excellency’s walls, and also that I had abused him personally; wherefore I had not the heart to live or die till I had purged myself of that infamy, and found out who the audacious rascal was who had uttered such calumnies against me. At these words a large number of those gentlemen came round, expressing great compassion for me; one said one thing, one another, and I told them I would never go thence before I knew who had accused me. At these words Maestro Agostino, the Duke’s tailor, made his way through all those gentlemen, and said: “If that is all you want to know, you shall know, it at this very moment.”
Giorgio the painter, whom I have mentioned, happened just then to pass, and Maestro Agostino exclaimed: “There is the man who accused you; now you know yourself if it be true or not.” As fiercely as I could, not being able to leave my seat, I asked Giorgio if it was true that he had accused me. He denied that it was so, and that he had ever said anything of the sort. Maestro Agostino retorted: “You gallows-bird! don’t you know that I know it for most certain?” Giorgio made off as quickly as he could, repeating that he had not accused me. Then, after a short while, the Duke came by; whereupon I had myself raised up before his Excellency, and he halted. I told him that I had come therein that way solely in order to clear my character. The Duke gazed at me, and marvelled I was still alive; afterwards he bade me take heed to be an honest man and regain my health.
When I reached home, Niccolò da Monte Aguto came to visit me, and told me that I had escaped one of the most dreadful perils in the world, quite contrary to all his expectations, for he had seen my ruin written with indelible ink; now I must make haste to get well, and afterwards take French leave, because my jeopardy came from a quarter and a man who was able to destroy me. He then said, “Beware,” and added: “What displeasure have you given to that rascal Ottaviano de’ Medici?” I answered that I had done nothing to displease him, but that he had injured me; and told him all the affair about the Mint. He repeated: “Get hence as quickly as you can, and be of good courage, for you will see your vengeance executed sooner than you expect.” I the best attention to my health, gave Pietro Pagolo advice about stamping the coins, and then went off upon my way to Rome without saying a word to the Duke or anybody else.
LXXXVIII
WHEN I reached Rome, and had enjoyed the company of my friends awhile, I began the Duke’s medal. In a few days I finished the head in steel, and it was the finest work of the kind which I had ever produced. At least once every day there came to visit me a sort of blockhead named Messer Francesco Soderini. [1] When he saw what I was doing, he used frequently to exclaim: “Barbarous wretch! you want them to immortalise that ferocious tyrant! You have never made anything so exquisite, which proves you our inveterate foe and their devoted friend; and yet the Pope and he have had it twice in mind to hang you without any fault of yours. That was the Father and the Son; now beware of the Holy Ghost.” It was firmly believed that Duke Alessandro was the son of Pope Clement. Messer Francesco used also to say and swear by all his saints that, if he could, he would have robbed me of the dies for that medal. I responded that he had done well to tell me so, and that I would take such care of them that he should never see them more.
I now sent to Florence to request Lorenzino that he would send me the reverse of the medal. Niccolò da Monte Aguto, to whom I had written, wrote back, saying that he had spoken to that mad melancholy philosopher Lorenzino for it; he had replied that he was thinking night and day of nothing else, and that he would finish it as soon as he was able. Nevertheless, I was not to set my hopes upon his reverse, but I had better invent one out of my own head, and when I had finished it, I might bring it without hesitation to the Duke, for this would be to my advantage.
I composed the design of a reverse which seemed to me appropriate, and pressed the work forward to my best ability. Not being, however, yet recovered from that terrible illness, I gave myself frequent relaxation by going out on fowling expeditions with my friend Felice. This man had no skill in my art; but since we were perpetually day and night together, everybody thought he was a first-rate craftsman. This being so, as he was a fellow of much humour, we used often to laugh together about the great credit he had gained. His name was Felice Guadagni (Gain), which made him say in jest: “I should be called Felice Gain-little if you had not enabled me to acquire such credit that I can call myself Gain-much.” I replied that there are two ways of gaining: the first is that by which one gains for one’s self, the second that by which one gains for others; so I praised him much more for the second than the first, since he had gained for me my life.
We often held such conversations; but I remember one in particular on the day of Epiphany, when we were together near La Magliana. It was close upon nightfall, and during the day I had shot a good number of ducks and geese; then, as I had almost made my mind up to shoot no more that time, we were returning briskly toward Rome. Calling to my dog by his name, Barucco, and not seeing him in front of me, I turned round and noticed that the well-trained animal was pointing at some geese which had settled in a ditch. I therefore dismounted at once, got my fowling-piece ready, and at a very long range brought two of them down with a single ball. I never used to shoot with more than one ball, and was usually able to hit my mark at two hundred cubits, which cannot be done by other ways of loading. Of the two geese, one was almost dead, and the other, though badly wounded, was flying lamely. My dog retrieved the one and brought it to me; but noticing that the other was diving down into the ditch, I sprang forward to catch it. Trusting to my boots, which came high up the leg, I put one foot forward; it sank in the oozy ground; and so, although I got the goose, the boot of my right leg was full of water. I lifted my foot and let the water run out; then, when I had mounted, we made haste for Rome. The cold, however, was very great, and I felt my leg freeze, so that I said to Felice: “We must do something to help this leg, for I don’t know how to bear it longer.” The good Felice, without a word, leapt from his horse, and gathering some thistles and bits of stick, began to build a fire. I meanwhile was waiting, and put my hands among the breast-feathers of the geese, and felt them very warm. So I told him not to make the fire, but filled my boot with the feathers of the goose, and was immediately so much comforted that I regained vitality.