XC
I NOW began to attend to my shop, and did some business, not however of much moment, because I had still to think about my health, which was not yet established after that grave illness I had undergone. About this time the Emperor returned victorious from his expedition against Tunis, and the Pope sent for me to take my advice concerning the present of honour it was fit to give him. [1] I answered that it seemed to me most appropriate to present his Imperial Majesty with a golden crucifix, for which I had almost finished an ornament quite to the purpose, and which would confer the highest honour upon his Holiness and me. I had already made three little figures of gold in the round, about a palm high; they were those which I had begun for the chalice of Pope Clement, representing Faith, Hope, and Charity. To these I added in wax what was wanting for the basement of the cross. I carried the whole to the Pope, with the Christ in wax, and many other exquisite decorations which gave him complete satisfaction. Before I took leave of his Holiness, we had agreed on every detail, and calculated the price of the work.
This was one evening four hours after nightfall, and the Pope had ordered Messer Latino Juvenale to see that I had money paid to me next morning. This Messer Latino, who had a pretty big dash of the fool in his composition, bethought him of furnishing the Pope with a new idea, which was, however, wholly of his own invention. So he altered everything which had been arranged; and next morning, when I went for the money, he said with his usual brutal arrogance: “It is our part to invent, and yours to execute; before I left the Pope last night we thought of something far superior.” To these first words I answered, without allowing him to proceed farther: “Neither you nor the Pope can think of anything better than a piece of which Christ plays a part; so you may go on with your courtier’s nonsense till you have no more to say.”
Without uttering one word, he left me in a rage, and tried to get the work given to another goldsmith. The Pope, however, refused, and sent for me at once, and told me I had spoken well, but that they wanted to make use of a Book of Hours of Our Lady, which was marvellously illuminated, and had cost the Cardinal de’ Medici more than two thousand crowns. They thought that this would be an appropriate present to the Empress, and that for the Emperor they would afterwards make what I had suggested, which was indeed a present worthy of him; but now there was no time to lose, since the Emperor was expected in Rome in about a month and a half. He wanted the book to be enclosed in a case of massive gold, richly worked, and adorned with jewels valued at about six thousand crowns. Accordingly, when the jewels and the gold were given me, I began the work, and driving it briskly forward, in a few days brought it to such beauty that the Pope was astonished, and showed me the most distinguished signs of favour, conceding at the same time that that beast Juvenale should have nothing more to do with me.
I had nearly brought my work to its completion when the Emperor arrived, and numerous triumphal arches of great magnificence were erected in his honour. He entered Rome with extraordinary pomp, the description of which I leave to others, since I mean to treat of those things only which concern myself. [2] Immediately after his arrival, he gave the Pope a diamond which he had bought for twelve thousand crowns. This diamond the Pope committed to my care, ordering me to make a ring to the measure of his holiness’ finger; but first he wished me to bring the book in the state to which I had advanced it. I took it accordingly, and he was highly pleased with it; then he asked my advice concerning the apology which could be reasonably made to the Emperor for the unfinished condition of my work. I said that my indisposition would furnish a sound excuse, since his Majesty, seeing how thin and pale I was, would very readily believe and accept it. To this the Pope replied that he approved of the suggestion, but that I should add on the part of his Holiness, when I presented the book to the Emperor, that I made him the present of myself. Then he told me in detail how I had to behave, and the words I had to say. These words I repeated to the Pope, asking him if he wished me to deliver them in that way. He replied: “You would acquit yourself to admiration if you had the courage to address the Emperor as you are addressing me.” Then I said that I had the courage to speak with far greater ease and freedom to the Emperor, seeing that the Emperor was clothed as I was, and that I should seem to be speaking to a man formed like myself; this was not the case when I addressed his Holiness, in whom I beheld a far superior deity, both by reason of his ecclesiastical adornments, which shed a certain aureole about him, and at the same time because of his holiness’ dignity of venerable age; all these things inspired in me more awe than the Imperial Majesty. To these words the Pope responded: “Go, my Benvenuto; you are a man of ability; do us honour, and it will be well for you.”
Note 1. Cellini returns to the year 1535, when Charles V. arrived in
November from Tunis.
Note 2. The entry into Rome took place April 6, 1536.
XCI
THE POPE ordered out two Turkish horses, which had belonged to Pope Clement, and were the most beautiful that ever came to Christendom. Messer Durante, [1] his chamberlain, was bidden to bring them through the lower galleries of the palace, and there to give them to the Emperor, repeating certain words which his Holiness dictated to him. We both went down together, and when we reached the presence of the Emperor, the horses made their entrance through those halls with so much spirit and such a noble carriage that the Emperor and every one were struck with wonder. Thereupon, Messer Durante advanced in so graceless a manner, and delivered his speech with so much of Brescian lingo, mumbling his words over in his mouth, that one never saw or heard anything worse; indeed the Emperor could not refrain from smiling at him. I meanwhile had already uncovered my piece; and observing that the Emperor had turned his eyes towards me with a very gracious look, I advanced at once and said: “Sacred Majesty, our most holy Father, Pope Paolo, sends this book of the Virgin as a present to your Majesty, the which is written in a fair clerk’s hand, and illuminated by the greatest master who ever professed that art; and this rich cover of gold and jewels is unfinished, as you here behold it, by reason of my illness: wherefore his Holiness, together with the book, presents me also, and attaches me to your Majesty in order that I may complete the work; nor this alone, but everything which you may have it in your mind to execute so long as life is left me, will I perform at your service.” Thereto the Emperor responded: “The book is acceptable to me, and so are you; but I desire you to complete it for me in Rome; when it is finished, and you are restored to health, bring it me and come to see me.” Afterwards, in course of conversation, he called me by my name, which made me wonder, because no words had been dropped in which my name occurred; and he said that he had seen that fastening of Pope Clement’s cope, on which I had wrought so many wonderful figures. We continued talking in this way a whole half hour, touching on divers topics artistic and agreeable; then, since it seemed to me that I had acquitted myself with more honour than I had expected, I took the occasion of a slight lull in the conversation to make my bow and to retire. The Emperor was heard to say: “Let five hundred golden crowns be given at once to Benvenuto.” The person who brought them up asked who the Pope’s man was who had spoken to the Emperor. Messer Durante came forward and robbed me of my five hundred crowns. I complained to the Pope, who told me not to be uneasy, for he knew how everything had happened, and how well I had conducted myself in addressing the Emperor, and of the money I should certainly obtain my share.
Note 1. Messer Durante Duranti, Prefect of the Camera under Paul III, who gave him the hat in 1544, and the Bishopric of Brescia afterwards.