[113] A quella si attacca nella testa di sotto un pezza di corrente ... e bisogna che sia commesso in nella testa di sotto nella detta trave.
[114] Cioè a un lungo corrente. I give on the next page a diagram of what the upper portion of this machinery was probably like. Or it may be as Prof. Roberts-Austen shows it in the drawing in his Cantor Lecture on Alloys, Society of Arts Journal, March-April, 1884.
[115] Colpi di conio.
CHAPTER XVIII. HOW TO WORK IN LARGE WARE, IN GOLD AND SILVER AND SUCH LIKE.[116]
First will I speak of the methods I learnt in Rome and then of those that are used in Paris. Indeed I believe this city of Paris to be the most wonderful city in the world, and there they practise every branch of every art. I spent four years of my life there in the service of the great King Francis, who gave me opportunities of working out not only in all the arts of which I have been telling you, but also in the art of sculpture, and of that too I shall speak in its proper place.
Diagram illustrating the process of casting silver
C. CLAMPS
P. PLATE
B. BRICK
FOOTNOTES:
[116] Cellini applies the term ‘grosserie’ to all large ware of whatever process & as distinguished from ‘minuterie.’