[2] Baldwin, Shakespeare’s Five-Act Structure, pp. 305, 315, 321, 326.
[3] Muriel C. Bradbrook, Themes and Conventions of Elizabethan Tragedy (Cambridge, 1935), p. 5.
[4] Madeleine Doran, Endeavors of Art (University of Wisconsin, 1954), p. 5.
[5] Heinrich Wölfflin, Principles of Art History (New York, 1932), pp. 14-16, 159; Doran, p. 6.
[6] George Puttenham, The Arte of English Poesie (1589), as reprinted in Gregory Smith, Elizabethan Critical Essays (Oxford, 1904), II, pp. 19-20.
[7] Francis Fergusson, The Idea of a Theater (Princeton, 1949), pp. 229-230.
[8] Hardin Craig, “Shakespeare’s Development as a Dramatist in the Light of His Experience,” S.P., XXXIX (1942), 226; also S. L. Bethell, Shakespeare and the Dramatic Tradition (London, 1944), p. 70.
[9] Doran, pp. 103, 263.
[10] Ibid., p. 296.
[11] Ibid., p. 264.