[4] H. Granville-Barker, “A Note on Chapters XX and XXI of The Elizabethan Stage,” R.E.S., I (1925), 68.
[5] Ashley Thorndike, Shakespeare’s Theater (New York, 1916), pp. 102 ff.
[6] Twelfth Night, II, ii; Measure for Measure, V, i; Lear, II, i; II, ii; III, i; Othello, V, ii; Antony and Cleopatra, II, vi; III, ii; Troilus and Cressida, IV, i; Coriolanus, I, viii; I, ix; Timon of Athens, I, i; III, iv-vi; IV, ii; Pericles, Chorus, II; II, v; Chorus, III; The Devil’s Charter, prologue; I, i; IV, i; Fair Maid of Bristow, scene xiv.
[7] W. J. Lawrence, The Physical Conditions of the Elizabethan Public Playhouse (Cambridge, Mass., 1927), pp. 22 ff.
[8] W. J. Lawrence, The Elizabethan Playhouse and Other Studies, Series One (Stratford-on-Avon, 1912), p. 23.
[9] Lawrence, Physical Conditions, pp. 22 ff.; J. C. Adams, p. 146.
[10] G. F. Reynolds, “Troilus and Cressida on the Elizabethan Stage,” Joseph Quincy Adams Memorial Studies, ed. James G. McManaway et al. (Washington, 1948), pp. 229-238.
[11] Julius Caesar
Brutus. How many times shall Caesar bleed in sport,
That now on Pompey’s basis lies along