[22] Hosley, 44-45.
[23] Alone: Devil’s Charter, IV, i; I, iv; Cromwell, sc. iii, vi; attended: Devil’s Charter, V, vi; Cromwell, sc. xii.
[24] A Yorkshire Tragedy, sc. v; The Revenger’s Tragedy, II, iv; The Merry Devil of Edmonton, prologue.
[25] The Revenger’s Tragedy, I, iv; V, i.
[26] Fastidious Briske takes down a “base viol” from a wall. Such action may depend upon the discovery of an interior. (III, ix, 81)
[27] Concealment: As You Like It, III, ii (?); Twelfth Night, IV, ii; Hamlet, III, i, III, iv; Merry Wives of Windsor, III, iii; Measure for Measure, III, i; Lear, III, vi; Coriolanus, II, i; discovery: Othello, I, iii, V, ii; Timon, V, iii; Pericles, I, i, III, i, V, i; tents: Julius Caesar, IV, ii-iii; Troilus and Cressida, passim.
[28] See Two Elizabethan Stage Abridgements: The Battle of Alcazar and Orlando Furioso, ed. W. W. Greg (The Malone Society, 1922), pp. 34-35.
[29] Merry Wives of Windsor, II, ii, III, v; Every Man Out of His Humour, V, iv; Merry Devil of Edmonton, sc. i; Miseries of Enforced Marriage, sc. v; A Yorkshire Tragedy, sc. iii-v.
[30] Adams, p. 289.