[3] Joseph, Elizabethan Acting, p. 1.
[4] Harbage, “Elizabethan Acting,” 698. Quoted from the ms. of The Cyprian Conqueror.
[5] Joseph, Elizabethan Acting, p. 60.
[6] John Russel Brown, “On the Acting of Shakespeare’s Plays,” Quarterly Journal of Speech, XXXIX (1953), 477-484; Marvin Rosenberg, “Elizabethan Actors: Men or Marionettes?” P.M.L.A., LXIX (1954), 915-927; R. A. Foakes, “The Player’s Passion: Some Notes on Elizabethan Psychology and Acting,” Essays and Studies, VII (1954), pp. 62-77.
[7] Foakes, 76.
[8] Leonard Cox, The Arte or Crafte of Rhethoryke (1527–1530), ed. Frederic I. Carpenter (Chicago, 1899); Richard Sherry, A Treatise of the figures of grammar and rhethorike (1555); Richard Rainolde, A Book called the foundation of Rhetorike (1562); Roger Ascham, The Schoolmaster (1570); Gabriel Harvey, Rhetor (1577); Dudley Fenner, Artes of Logicke and Rhetoric (1584); Henry Peacham, The Garden of Eloquence (1593), ed. William G. Crane (Gainesville, Fla., 1954); John Hoskins, Directions for Speech and Style (c. 1590), ed. Hoyt H. Hudson (Princeton, 1935); Edmund Coote, The Englishe Schoole-Maister (1596); Alexander van den Busche, The Orator, tr. L. P. (Anthony Munday?) (1596); Sir Francis Bacon, Works, ed. James Spedding (London, 1858), vols. iv-vi.
[9] Abraham Fraunce, The Arcadian Rhetorike (1588), ed. Ethel Seaton (Oxford, 1950), p. 107. Succeeding material has been taken from pp. 112-128.
[10] Baldassare Castiglione, The Courtier, tr. T. Hoby (1561), reprinted in Everyman’s Library Edition (London, 1944), p. 56.
[11] Fraunce, p. 106.
[12] Hoskins, p. 2.