The Florentine Painters of the Renaissance / With An Index To Their Works

by Bernard Berenson

1482-1525. Pupil of Pier di Cosimo and Albertinelli; worked with and was influenced by Andrea del Sarto.

• Barnard Castle.
  • Bowes Museum, 235. Bust of Young Man.
• Berlin.
  • 235. Portrait of Man.
  • 245. Portrait of Man writing. 1522.
  • 245a. Portrait of Youth in Landscape.
  • Herr Eugen Schweizer. Madonna with infant John.
• Bologna.
  • 294. Madonna.
• Brussels.
  • 478. Leda and her Children.
  • Musée de la Ville. Profile of Old Man.
• Chantilly.
  • Musée Condé, 41. Bust of Man.
• Cracow.
  • Potocki Collection. Madonna with infant John (?).
• Dijon.
  • Musée, Donation Jules Maciet. Bust of Youth.
• Dresden.
  • 75. Bathsheba. 1523.
• Florence.
  • Pitti, 43. Portrait of Man. 1514. 427. Calumny. E.
  • Uffizi, 92. Tondo: Madonna and infant John, E.
  • 1223. Temple of Hercules.
  • 1224. Tondo: Holy Family and infant John.
  • 1264. Madonna with Job and Baptist. E.
  • Chiostro dello Scalzo. Monochrome Frescoes: Baptist leaving his Parents, 1518-19. Baptism, 1509. Meeting of Christ and Baptist, 1518-19.
  • SS. Annunziata, Entrance Court, R. Fresco: Sposalizio. 1513.
  • La Calza. (Porta Romana). Fresco: Last Supper.
  • Poggio a Cajano (Royal Villa near Florence). Fresco: Triumph of Cæsar. 1521.
• Hamburg.
  • Weber Collection, 119. Bust of Young Man.
• London.
  • 1035. Portrait of Young Man.
  • Mr. Robert Benson. Portrait of Young Man.
  • Earl of Northbrook. Head of Young Man.
  • Mr. T. Vasel. Bust of Young Man.
  • Earl of Yarborough. Bust of a Jeweller. 1516.
• Modena.
  • 223. Birth of Baptist. E.
• New York.
  • Mr. Rutherford Stuyvesant. Portrait of Man.
• Nîmes.
  • 132, 269, 270. Small Tondi: Trinity, SS. Peter and Paul.
• Oxford.
  • Mr. T. W. Jackson. Legend of a Saint.
• Paris.
  • 1651a. Portrait of Andrea Fausti.
• Philadelphia.
  • Mr. John G. Johnson. Bust of Christ Blessing (?).
• Pinerolo (Piedmont).
  • Villa Lamba Doria. Portrait of Young Man.
• Rome.
  • Barberini Gallery. Portrait of Young Man.
  • Borghese Gallery, 458. Madonna and infant John. E.
  • Corsini Gallery, 570. Madonna holding Child on Parapet. Portrait of Man with Book.
• Turin.
  • 112. Annunciation. E.
• Vienna.
  • 46. Holy Family.
  • 52. Madonna and infant John in Landscape.
  • Count Lanckoronski. Man with Cap and Feathers. L. Christ saving Man from drowning (?).
  • Prince Liechtenstein. Bust of Young Man. 1517. Madonna and infant John.
• Wiesbaden.
  • Nassauisches Kunstverein, 118. Cassone picture.
• Windsor Castle.
  • Portrait of Man (“Gardener of Pier Francesco dei Medici”).

RAFFAELINO DEL GARBO.

1466-1524 (?). Pupil of Botticelli and Filippino Lippi; influenced by Ghirlandajo and Perugino.

• Berlin.
  • 78. Bust of Man.
  • 81. Profile of Young Woman.
  • 90. Tondo: Madonna and Angels.
    • Simon Collection, i. Tondo: Madonna and Angels. E.
• Dresden.
  • 22. Madonna and infant John.
• Florence.
  • Academy, 90. Resurrection.
• Glasgow.
  • Corporation Gallery. Madonna with infant John.
• London.
  • Mr. Robert Benson. Tondo: Madonna and Angels.
  • Col. G. L. Holford, Dorchester House. Madonna and Angel.
  • Mr. Charles Ricketts. Madonna in Landscape.
  • Sir Henry Samuelson. Tondo: Madonna with Magdalen and St. Catherine.
• Lyons.
  • M. Edouard Aynard. Profile Bust of Baptist.
• Munich.
  • 1009. Pietà.
• Naples.
  • Tondo: Madonna and infant John.
• Paris.
  • M. Henri Heugel. Tondo: Madonna and two Angels. E.
  • Baron Edouard de Rothschild. Profile bust of Young Lady.
• Parma.
  • 56. Madonna giving Girdle to St. Thomas.
• Venice.
  • Lady Layard. Portrait of Man.

DOMENICO GHIRLANDAJO.

1449-1494. Pupil of Baldovinetti; influenced slightly by Botticelli and more strongly by Verrocchio.

• Florence.
  • Academy, 66. Madonna and Saints.
  • 195. Adoration of Shepherds. 1485.
  • Uffizi, 19. Madonna and Saints.
  • 43. Portrait of Giovanni Bicci de’ Medici.
  • 1295. Adoration of Magi.
  • 1297. Madonna, Saints, and Angels.
  • Museo di San Marco, Small Refectory. Fresco: Last Supper.
  • Palazzo Vecchio, Flag Room. Fresco: Triumph of S. Zanobi. 1482-1484.
  • Duomo, over N. Door. Mosaic: Annunciation. 1490.
  • Innocenti, High Altar. Adoration of Magi (the episode of the “Massacre of the Innocents” painted by Alunno di Domenico). 1488.
  • S. Maria Novella, Choir. Frescoes: Lives of the Virgin and Baptist, etc. (execution, save certain portrait heads, chiefly by David, Mainardi, and other assistants). Begun 1486, finished 1490.
  • Ognissanti, L. Wall. Fresco: St. Augustine. 1480.
    • Altar R. Fresco: Madonna della Misericordia (in part). E.
    • Refectory. Fresco: Last Supper. 1480.
  • S. Trinita. Chapel R. of Choir. Frescoes: Life of St. Francis. 1483-1485.
    • Over Arch. Fresco: Augustus and Sibyl (in part). Same date.
  • Badia di Passignano (Tavernelle, near Florence), Refectory. Frescoes: Last Supper, etc. 1477.
• London.
  • 1299. Portrait of Young Man (repainted).
  • Mr. Robert Benson. Francesco Sassetti and his Son.
  • Mr. Ludwig Mond. Madonna.
  • Mr. J. Pierpont Morgan. Profile of Giovanna Tornabuoni. 1488.
  • Mr. George Salting. Madonna and infant John. Bust of Costanza de’ Medici.
• Lucca.
  • Duomo, Sacristy. Madonna and Saints, with Pietà in lunette.
• Narni.
  • Municipio. Coronation of Virgin (in part). 1486.
• New Haven (U. S. A.).
  • Jarves Collection, 73. Fresco: Head of Woman (Cf. woman to extreme L. in “Visitation” at S. Maria Novella, Florence).
• Paris.
  • 1321. Visitation (in part).
  • 1322. Old Man and Boy.
• Pisa.
  • Museo Civico, Sala VI, 21. SS. Sebastian and Roch (in part). Virgin with St. Anne and Saints (in part).
• Rome.
  • Vatican, Sixtine Chapel. Frescoes: Calling of Peter and Andrew. 1482. Single figures of Popes: Anacletus, Iginius, Clement, and Pius. 1482.
• San Gemignano.
  • Collegiata, Chapel of S. Fina. Frescoes: Life of the Saint. About 1475.
• Vercelli.
  • Museo Borgogna. Madonna adoring Infant. E.
• Volterra.
  • Municipio. Christ in Glory adored by two Saints and Don Guido Bonvicini (in part). 1492.

RIDOLFO GHIRLANDAJO.

1483 to 1561. Pupil of Granacci, and eclectic imitator of most of his important contemporaries.